Volume II Chapter 02: Gardiners visit Longbourn
Chapter 2: Gardiners visit Longbourn
லாங்க்பர்னுக்கு கார்டினரின் வருகை
Summary: Mr. Collins leaves for his parish and Mrs. Bennet’s brother Mr. Gardiner and his wife arrive for Christmas. Mrs. Gardiner is very close to both Jane and Elizabeth and is acquainted with news of Bingley, Darcy and Wickham. She invites Jane to stay with her in London for a while.
v¸. Põ¼ßì, uÚx CÀ»zvØSU QÍ®¦QÓõß. v¸©v. ö£ßÚmiß \÷PõuµµõÚ v¸. PõºiÚ¸®, AÁµx ©øÚ²® Q¸ìx©ìêØPõP Á¸QßÓÚº. ÷áÝhÝ®, G¼\ö£zxhÝ® v¸©v. PõºiÚº ö|¸[Q¯ Aߦ öPõsi¸UQÓõÒ. ÷áÛØS® ¤[Q¼US® Cøh÷¯ |h¢u Âå¯zøu ÷PÒ²ØÓ AÁÒ ]Ôx |õmPÐUPõP, ußÝhß »shÛÀ Á¢x u[S©õÖ AøÇUQÓõÒ.
1. | After a week spent in professions of love and schemes of felicity, Mr. Collins was called from his amiable Charlotte by the arrival of Saturday. The pain of separation, however, might be alleviated on his side, by preparations for the reception of his bride; as he had reason to hope that, shortly after his next return into Hertfordshire, the day would be fixed that was to make him the happiest of men. He took leave of his relations at Longbourn with as much solemnity as before; wished his fair cousins health and happiness again, and promised their father another letter of thanks. Põuø»¨£ØÔ ÷£]U öPõsk AuøÚö¯õmi \¢÷uõå©õÚ {PÌa]Pøͨ£ØÔ wº©õÛ¨£x©õP C¸¢u Põ¼ßì, \ÛUQÇø©¯ßÖ AÁÚx CÛø©US›¯ÁÍõ´ ÂÍ[Q¯ \õºö»mhõÀ AøÇUP¨£mhõß. Akzu•øÓ AÁß íºm÷£õºm寸US Á¸® ö£õÊx, AÁøÚ ªPÄ® \¢÷uõå©õÚ ©ÛuÚõP ©õØÓUTi¯ v¸©n |õÒ SÔUP¨£k® GÚ Gvº£õºzx, uß ©øÚÂø¯ AøÇzxU öPõsk Á¸ÁuØPõÚ HØ£õkPÒ ö\´ÁvÀ ußøÚ Dk£kzvU öPõshuõÀ, ¤›Âß ÷ÁuøÚ AÁÝUSa \ØÖ SøÓÁõP÷Á C¸¢ux. •ß÷£õ»÷Á ªPÄ® ]µzøu¯õP, »õ[£ºÛÀ EÒÍ uÚx EÓÂÚºPÎh® Âøhö£ØÖU öPõshõß, ußÝøh¯ JßÖÂmh \÷Põu›PÒ, \¢÷uõå•®, |»•® ö£Ó ÁõÌzvÚõß. AÁºPÐøh¯ u¢øu°h®, ©ØöÓõ¸ |ßÔ Piu® GÊxÁuõP ÁõUPÎzuõß. | 1. Professions of love lead to schemes of felicity. Põuø»¨ £ØÔ ö£õÈ¢uõÀ ©Ú® BÚ¢uzvÀ ªuUS®. Professions cannot last beyond a few weeks. Ax ÷£õÀ ö£õÈ£øÁ öPõg\ |õøÍU÷P Á¸®. Schemes of felicity belong to courtship, not wedded life. BÚ¢u® v¸©nzvØS •ß, ¤ßÛÀø». Expectation expands the emotions which is felicity. Gvº£õº¨£x Enºa]ø¯¨ £µÁ\¨£kzx®. Ax BÚ¢u®. One who postpones the wedding for a year or two can indulge in these things. K›¸ BskPÒ v¸©n® uÒΨ ÷£õÚõÀ BÚ¢u® }iUS®. Schemes arise in the mind when energy is in excess. öu®¦ AvP©õÚõÀ ö|g]À vmh[PöÍÊ®. Even at the age of 27, prospect of marriage opens up felicity. 27B® Á¯v¾® v¸©n® |hUS® GßÓõÀ BÚ¢uö©Ê®. Not 27, even at 72 the heart will be ready to open to felicity if love is born. 27 CÀø» 72¼¾® Cu¯® BÚ¢u©õP ©»µz xiUS®. Ax PõuÀ. The heart never grows old or cold. ö|g_US Á¯vÀø», ©µzx¨ ÷£õÁvÀø». What dies a natural death is the vital, not the yearning heart. C¯À£õP CÓ¨£x Enºa], H[S® Cu¯® CÓ¨£Ô¯õx. The heart that yearns never ceases to yearn, even after the reward. H[S® Cu¯®, H[SÁøu {Özuõx, ÷Pmhx Qøhzu ¤ßÝ® {Özuõx. Yearning itself is the reward. HUP÷© Auß £›_. The love a heart yearns for can never be fully given to it. Cu¯® AߦUPõP H[QÚõÀ, Aøu¨ §µn©õPz uµ•i¯õx. It cannot be given as the need grows with what it gets. ö£ÖÁx HUPzøu AvP›¨£uõÀ, J¸ ÷£õx® Aøu {øÓ÷ÁØÓ •i¯õx. It is not the heart that yearns. It is the soul in the heart. H[SÁx Cu¯ªÀø», Cu¯zvß Bz©õ H[SQÓx. Actually the evolving soul, when it evolves through the heart, finds yearning a reward. Á͸® Bß©õ, Cu¯zvß ‰»® Áͺ¢uõÀ, HUP÷© Auß C»m]¯®, £›_. It does not yearn for a human reward. ©Ûuß uµUTi¯ £›_UPõP Cu¯® H[SÁvÀø». All human rewards are included in its goal. Auß C»m]¯zxÒ ©Ûu C»m]¯[PÒ AøÚzx® Ah[Q²ÒÍÚ. It yearns for touching its spiritual complement. Auß BÂzxønUPõP Cu¯® H[SQÓx. Its spiritual complement is the same yearning in another heart. J¸Á¸UPõP J¸Áº H[S®ö£õÊx HUP® C¸Á¸US® JßÖ. When they meet, it is not over. It is the beginning. B²® Auß xøn²® CønÁx •iÁÀ», Bµ®£®. As at that point ananda turns into delight, making it permanent in the matter of the heart, it comes to stay. AøÁ \¢vUSªhzvÀ BÚ¢u® Á͸® BÚ¢u©õQ, Cu¯zvß áh¨ ö£õ¸ÎÀ CÓ[Q EøÓ¢x {ø»¯õS®. Theoretically it is there in all objects. uzxÁ¨£i AÆÁõÚ¢u® GÀ»õ áh¨ö£õ¸ÒPÐÒ EÒÍx. The easiest part in us to discover it is the yearning heart. H[S® Cu¯zøu GÎvÀ Põn»õ®. It is easy to find it in another yearning heart. H[Sªu¯zvÀ Aøu GÎø©¯õPU Põn»õ®. Evolution ends when it is found in the substance of Matter. áh¨ ö£õ¸ÎÀ BÚ¢u® Á¢x Á͸® BÚ¢u©õQ {µ¢uµ©õÚõÀ £›nõ©® •iQÓx. It is for this reason the objects his love owned are sacred for him. Põu¼ £¯ß£kzv¯ ö£õ¸ÒPÒ ¦Ûu©õÁx CUPõµnzuõÀ uõß. Even Lydia and Wickham are acceptable for this reason. CUPs÷nõmhzvÀ ¼i¯õøÁ²® ÂUPõø©²® |õ® HØP •i²®. She discovered it in Pemberley. G¼\ö£z Cu¯zvß GÊa]ø¯¨ ö£®£º¼°À PshõÒ. He discovered it in fine eyes. hõº] AÁÒ JÎ ªUP PsPÎÀ Pshõß. There is a very very long distance to travel for both of them. AÁºPÎøh÷¯ EÒÍx Põu yµ®. She rises from property to help to emotions. AÁÒ ö\õzv¼¸¢x Enºa]ø¯ AøhQÓõÒ. He began with the abuse, leading to his aunt’s abuse and ending in Mrs. Bennet’s rudeness. AÁÒ AÁyØÔÀ Bµ®¤zx ]zv°ß AÁyØøÓ¯øh¢uõß. AuÛßÖ Mrs.ö£ßÚmiß A|õPŸP¨ ÷£aø\U Pshõß. Actually rudeness is captivating softness. The realisation lies in the attitude that emerges. PÁºa] ªS¢u CÛø©²® A|õPŸP •µmkzuÚ•® Jß÷Ó. ¦zxnºa]°ß ÷|õUP® AÁØÔß ¦Ûuzøu¯Ô²®. Loyalty of Mrs. Reynolds and the culture of Mrs. Gardiner brought her to him through the abuse of Lady Catherine. Mrs.÷µÚõÀêß ÂìÁõ\•® PõºiÚ›ß £s¦® AÁøÍ ÷»i PõuŸß AÁyÖ ‰»® AÁÛh® öPõsk Á¢ux. |
2. A short duration of felicitous courtship is provided against a long period of mute suffering after marriage. | ||
3. On the day of wedding, MAN surely believes it is the happiest day of his life, not realizing it means so in view of his parting with happiness forever. | ||
4. A letter of thanks is more important for Mr. Collins. | ||
5. Formality gains formidable significance by its material symbols. | ||
2. | On the following Monday Mrs. Bennet had the pleasure of receiving her brother and his wife, who came as usual to spend the Christmas at Longbourn. Mr. Gardiner was a sensible, gentlemanlike man, greatly superior to his sister, as well by nature as education. The Netherfield ladies would have had difficulty in believing that a man who lived by trade, and within view of his own warehouses, could have been so well-bred and agreeable. Mrs. Gardiner, who was several years younger than Mrs. Bennet and Mrs. Philips, was an amiable, intelligent, elegant woman, and a great favourite with all her Longbourn nieces. Between the two eldest and herself especially there subsisted a very particular regard. They had frequently been staying with her in town. Akzu v[PÍßÖ, G¨ö£õÊx®÷£õÀ QÔìx©ì&I »õ[£ºÛÀ öPõshõh Á¢u uÚx \÷PõuµøÚ²®, AÁº ©øÚÂø¯²® v¸©v. ö£ßÚm \¢÷uõåzxhß Áµ÷ÁØÓõÒ. |À»ÔÄ®, |Ø£s¦PЮ öPõsh v¸. PõºiÚº ußÝøh¯ \÷Põu›ø¯Âh £i¨¤¾®, Snzv¾® E¯ºÁõPz vPÌ¢uõº. ¯õ£õµzvÀ Dk£mi¸US® J¸Áº, AxÄ® uß Qh[SPÎØS A¸Põø©°÷»÷¯ Á]US® J¸ |£º GÆÁõÖ CÆÁÍÄ |À» Áͺ¨¦hÝ® GÀ÷»õ¸US® Cø\¢uÁµõPÄ® C¸UP •i²® GÚ ö|uº¥Àm ö£s©oPÍõÀ |®£ •i¢v¸UPõx. v¸©v. ö£ßÚmøh²®, v¸©v. ¤¼¨øé²®Âh £» Á¸h[PÒ Á¯vÀ ]Ô¯ÁÍõP C¸¢u v¸©v. PõºiÚº CÛ¯ C¯À¦øh¯, ¦zv\õ¼¯õÚ, |õPŸP©õÚ ö£s©o¯õP C¸¢uõÒ. ÷©¾® »õ[£ºÛÀ C¸US® uÚx ©¸©PÒPÐUS ªPÄ® ¤›¯©õÚÁÍõP ÂÍ[QÚõÒ. •UQ¯©õP AÁÐUS® ‰zu Cµsk ö£sPÐUS® Cøh÷¯ C¸¢u ö|¸UP® SÔ¨¤hzuUPuõP C¸¢ux. AÁºPÒ AÁÐhß AiUPi »shÛÀ u[Q°¸¢v¸UQßÓÚº. | 6. Two children of the same parents can infinitely differ, showing the infinite nature of human temperament. 7. The idea of confining the gentleman to the landed aristocracy is a superstition. 8. He certainly is more gentleman-like than Darcy or Bingley’s sisters. 9. A Man becomes a gentleman by his inner attitude. ©Ûuß |À»Áß (gentleman) Gߣx AÁß ©Ú{ø»ø¯¨ ö£õ¸zux. It is a superstition to think that gentlemen should be farmers or landed gentry. {»•ÒÍ ö\ÀÁ¢uºPÒ ©mk® |À»ÁºPÒ (gentleman) Gߣx ‰h |®¤UøP. In fact, owning lands makes a man boorish while trade and business brings culture into his way of life. {»® ©mk•ÒÍÁß ©¢u©õÚÁß. ¯õ£õ› £»¸hÝ® £ÇSÁuõÀ AÁß £s¦ ö£Ö® Áõ´¨¦sk. The sannyasi mostly wore beards in India. It does not follow that one cannot be a sannyasi without a beard. \ßÛ¯õ]PÐUS uõi²sk. AuÚõÀ uõi°À»õ©À \ßÛ¯õ]¯õP •i¯õx GߣvÀø». It is a superstition of a converse truth. ©Öuø» ‰h|®¤UøP¯x. In England the landed gentry and their offspring are expected to go into politics, military or clergy. Over the centuries a belief came to rule that those in these profession are gentlemen and those who are not in these professions are not. C[Q»õ¢vÀ {»a_Áõßuõº ¤ÒøÍPÒ CµõqÁ®, Aµ]¯À, \ºa]À ÷Áø»US¨ ÷£õÁõºPÒ. £» ¡ØÓõshõP Czöuõȼ¾ÒÍÁº gentleman GßÓ |®¤UøP HØ£mhx. Czöuõȼ¼À»õuÁº gentleman CÀø» GÚÄ® |®¤ÚõºPÒ. This is a superstition of anachronism. Põ»® ©õÔ¯uõÀ HØ£k® ‰h |®¤UøP°x. A gentleman is one whose inner culture is of noble construction and of higher divine persuasions. ©Ú® £USÁ¨£mhÁº, öu´ÃP EnºÄÒÍÁºPÒ gentleman GÚ¨£kÁº. Neither land owning nor fighting in the front nor presiding over the political affairs fashions this culture. {»÷©õ, Aµ]¯÷»õ, CµõqÁ÷©õ, \ºa÷\õ J¸Áøµ gentleman BUPõx. People in these fields are gentlemen in spite of the trying circumstances of these fields which arise very often. CzxøÓPÎÀ EÒÍÁºUS ÷\õuøÚ AiUPi GÊ®. Aøu «Ô AÁºPÒ gentlemanBP C¸UP ÷Ásk®. The truth is whatever the field one is, wealth, leisure, upbringing and education make one a gentleman. ö\ÀÁ®, ÷Áø» ö\´¯ ÷Ási¯ AÁ]¯ªÀ»õux, £i¨¦ J¸Áøµ gentlemanBUS®. xøÓ ö\´¯ •i¯õx. Landed gentry have frowned on university education. {»•øh¯Áº PÀ¿›¨£i¨ø£ HÍÚ©õPU P¸vÚº. Clergy in a great majority do not have the income that will permit the life of a gentleman. £õv›¯õºPmS SøÓ¢u Á¸©õÚö©ß£uõÀ gentleman BP ÁõÇ •i¯õx. In the Army the rule of having a share in the plunder makes one a robber and no battle can ever be won without ruse, ploys and even open treachery. CµõqÁzvÀ B¥\ºPmSU öPõÒøÍ°À \mh¨£i £[Ssk. ÷£õøµ öÁÀ» ²Uv, u¢vµ®, x÷µõP® ÷uøÁ. Politics is a refuge not for gentlemen. Trade brings in wealth, but does not have the negative compulsions of Army or politics. One can become a gentleman in trade and grow in that culture. Aµ]¯¾US® gentlemanUS® öuõhº¤Àø». ¯õ£õµ® Á¸©õÚ•øh¯x. CµõqÁ® ÷£õßÓ uÁØÔØS A[S ChªÀø». ¯õ£õµzvÀ J¸Áº gentleman BS® Áõ´¨¦sk. |
10.One who is born in low culture attracts cultured partners if he is himself cultured. | ||
11.To be in the thick of his profession is a privilege. AÁ¸øh¯ £õxPõ¨¤¼¸¨£x J¸ £õUQ¯®. It shows Man is at the early stages of his career, successful. ÁõÌUøP°ß Bµ®£zv÷»÷¯ PõºiÚº \®£õvzx Âmhõº GÚz öu›QÓx. At a later stage he will be managing from his office, not in the thick of it. ¤ÓS B¥]¼¸¢x ÷Áø»PøÍU PÁÛ¨£õº. Qh[QØS Áµ ÷Áshõ®. One who is successful will complete the work he undertakes. ÁõÌUøP°À öÁØÔ ö£ØÓÁº Gkzu Põ›¯zøu •i¨£õº. That he has no time for fishing shows he is working hard. «ß ¤iUP ÷|µªÀø» GßÓõÀ Pkø©¯õP EøÇUQÓõº GÚ¨ ö£õ¸Ò. Darcy’s offering fishing to Mr. Gardiner shows Mr. Gardiner’s wish in future will be fulfilled – He becomes part of Pemberley. hõº] PõºiÚøµ «ß ¤iUP AøǨ£x ¤ßÚõÀ ö£®£º¼²hß HØ£h¨÷£õS® öuõhºø£U PõmkQÓx & PõºiÚº •iÂÀ ö£®£º¼²hß IUQ¯©õÚõº. Mr. Gardiner is a gentleman, apparently a trader. Mr.PõºiÚº ¯õ£õ›, BÚõÀ gentleman. Trade belongs to the future. The future of Mr. Bennet’s family is great. ¯õ£õµ® GvºPõ»zvØS›¯x. ö£ßÚm Sk®£zvØS |À» GvºPõ»•sk. To be a gentleman in trade shows the strength of personality. ¯õ£õµzv¼¸¢x gentlemanBP C¸UP Bz©õ ö£›¯uõP C¸UP ÷Ásk®. His life will be a success as Mrs. Gardiner is a good lady. Mrs.PõºiÚº |À»Áº GߣuõÀ, PnÁß ÁõÌÄ ]Ó¨£õP C¸US®. The work he undertook was completed relieving himself and Mr. Bennet. AÁº HØÓ Phø© AÁº •¯Ø]°ßÔ •iÄ ö£ØÓx. | ||
12.Mr. Gardiner was to do that great service to Lydia as his wife was only close to Jane and Elizabeth. | ||
13.The arrears of life are thus paid. | ||
14.He escaped the financial part of Lydia’s settlement as he was averse to being obliged. | ||
15.Education, in one generation, has made Mr. Gardiner a gentleman. As usual, education can abridge scores of generations. In terms of knowledge, it is very true. Culture can thus be abridged if the individual lends himself to the effort. Values can be so secured if one is in touch with his psychic. J÷µ uø»•øÓ°À Mr. PõºiÚº |À» £ÇUP® ö£ØÓõº. £i¨¦ £» uø»•øÓ¨ £¯øÚz uµÁÀ»x. vÓø© ö£Ó •¯Ø] ÷Ásk®. £s¦ ö£Ó Bz© ÂÍUP® ÷uøÁ. | ||
16.Amiability shows inner poise of equality. AP® Aø©v²ØÖ \©õuõÚ©õP C¸¨£uõÀ AøÚÁ¸® ¸®¦®£i |hUQÓõº. Intelligence enables her not to create temperamental eddies. ©øÚÂUS AÔÄÒÍuõÀ SnU÷Pmiß öPõ¢uΨ¦PÎÀø». Elegance in a woman arises on the basis of solid foundation, rich upbringing, sweet temper and a desire to please. |À» AìvÁõµ®, ÁÍ©õÚ Áͺ¨¦, CÛø©¯õÚ Sn®, ¤Óøµz v¸¨v ö\´²® ©Ú® ö£sPÐUS |ÎÚ©õÚ |øh•øÓ u¸®. To be a favourite with young girls she must be overflowing with energy. ]Ö ö£sPÒ AÁøµ ¸®¦QÓõºPÒ GÛÀ öu®£õÚÁº GÚ¨ ö£õ¸Ò. Only likeable personalities are such favourites. CÛø©¯õP¨ £ÇS£ÁºPøÍ÷¯ ]ÖÁºPÒ Â¸®¦ÁõºPÒ. A particular regard arises out of an appreciation based on understanding. SÇ¢øuPøͨ ¦›¢x £õµõmiÚõÀ SÔ¨£õP AÁºPÒ ¤›¯¨£kÁõºPÒ. Regard is respect, particular regard is personal attraction. ©›¯õøu Gߣx ©v¨¦, SÔ¨¤mk¨ ¤›¯¨£kQÓõºPöÍÛÀ PÁºa]²ÒÍÁº GÚ¨ ö£õ¸Ò. | ||
17.Women liking each other is an exception. ö£sPÒ J¸Áøµö¯õ¸Áº ¤›¯¨£kÁx SøÓÄ. Physical closeness leading to a repetition shows temperamental compatibility. AiUPi Á¸QÓõº Mrs.PõºiÚº, ö£sPÐhß ö|¸UP©õP C¸UQÓõº GÛÀ Sn® Jzx¨ ÷£õQÓx GÚ¨ ö£õ¸Ò. Adult authority devoid of angularities attracts and abides. Á¯vÀ ö£›¯ÁºPmS Sn÷£uPªÀ»õÂmhõÀ SÇ¢øuPÒ AÁøµ ¸®¦®. Ax }iUS®. An expanding vital as that of youth wishes for the repetition of a relationship. CÍø©US›¯ £µÁ\ Enºa] EÓÄ }iUP ¸®¦®. Energy energises. öu®¤¸¢uõÀ EhÝÒÍÁº öu®£õP C¸¨£õºPÒ. Temperament is energy organized and structured. Sn® Gߣx •øÓ¯õÚ _øÁ¯õÚ öu®¦. Sweet temperament consumes mountains of energy for creation. CÛø©¯õÚ Sn® HØ£h ©ø»÷£õßÓ öu®¦ AÁ]¯®. It is no ordinary circumstance where a lady loves her sister-in-law’s children. |õzuÚõº SÇ¢øuPøÍ J¸ ö£s©o ¸®¦Áx A›uõÚ {PÌa]. Social expectations here play a great part. This seems to be personal. \‰PzvÀ G¨£i |h¨£x Gߣx •UQ¯®. CÁ¸øh¯ CÛø© CÁ¸U÷P²›¯x. The role of the society that bends personal inclinations to serve social ends is infinite. \‰P® |®ø© |® CèhzvÛßÖ ©õØÔ AuØ÷PØ£ |hUPa ö\õÀÁx HµõÍ®. | ||
3. | The first part of Mrs. Gardiner's business on her arrival was to distribute her presents and describe the newest fashions. When this was done she had a less active part to play. It became her turn to listen. Mrs. Bennet had many grievances to relate, and much to complain of. They had all been very ill-used since she last saw her sister. Two of her girls had been on the point of marriage, and after all there was nothing in it. v¸©v. PõºiÚº Á¢ux® •uÀ ÷Áø»¯õP, uõß öPõsk Á¢v¸¢u £›_¨ ö£õ¸mPøÍ GÀ÷»õ¸US® öPõkzxÂmk uØö£õÊx EÒÍ ¦v¯ |õPŸPzøu¨£ØÔ ÂÁ›UP Bµ®¤zuõÒ. CøÁ GÀ»õ® •i¢u¤ß AÁÐUS ö\´ÁuØS JßÖªÀø». ©ØÓÁºPÒ ÷£_ÁøuU ÷PmP Bµ®¤zuõÒ. v¸©v. ö£ßÚmiØS ußÝøh¯ ©Úzuõ[PÀPøͨ£ØÔ ö\õÀÁuØS®, SøÓ TÖÁuØS® {øÓ¯ Âå¯[PÒ C¸¢uÚ. AÁÐøh¯ \÷Põu›ø¯ Pøh]¯õP¨ £õºzu ¤ÓS, AÁºPÐUS GÀ»õ® ÷©õ\©õP÷Á |h¢v¸UQßÓx, AÁÐøh¯ ö£sPÎÀ C¸Á¸US v¸©n®Áøµ Á¢u Â寮 JßÖªÀ»õ©À BQÂmhx. | 18.First things first. •u¼À Á¢uÁÝUS •u¼À. Distribution of patronage is the final index of social success. \‰PzvÀ öÁØÔ ö£ØÓÁß AÁß BuµøÁ ©ØÓÁºUPΨ£õß. Presents for the children, fashion for the ladies, games for men are the rules. SÇ¢øuPmk £›_, ÷»jéüUS £õåß, BsPÐUS Bmh® Gߣx \mh®. A superficial life begins and ends there. ÷»\õÚ ÁõÌUøP C[S Bµ®¤zx C[÷P •i²®. To take an active part in another’s life, one must be invited. AkzuÁº ÁõÌÂÀ £[S öPõÒÍ AøǨ¦ ÷uøÁ. For invitation to come there must be substance in the status. A¢u AøǨ¦ A¢uìxÒÍÁºUS Á¸®. Invitation to the status is enduring. A¢uìx ö£Ö® AøǨ¦ ö|k|õÒ }iUS®. Invitation to the substance in the person is creative at all levels. A¢uìxÒÍÁºUS Aºzu•ª¸¢uõÀ Ax £»ÁøP²® ¦v¯Ú £øhUS®. Such invitations come to those who enjoy it. AøǨø£ Aݣ¨£ÁºUS AøǨ¦ Á¸®. Grow by giving is an experience world knows long ago. öPõkzx ÁͺÁx E»P® ö|k|õÍõP AÔ¢ux. It was there as an evolutionary index or a token. \‰P® £›nõ© Áͺa] ö£Ö® ]ßÚ® öPõkzx ÁͺÁx. Such people are in the vanguard for progress. AÁºPÒ •ß÷ÚÓ Ao°À •ußø©¯õP C¸¨£õºPÒ. She had the intuition to take Elizabeth to Pemberley. Mrs. PõºiÚ¸US G¼\ö£zøu¨ ö£®£º¼US AøÇzx¨ ÷£õPz ÷uõßÔ¯x bõÚ®. She too was taken in by Wickham, but not totally. Mrs. PõºiÚ¸US ÂUPõ® `m_©® öu›¯ÂÀø». Põ›¯Áõv GÚU Psk öPõshõº. She was the one who saw he was mercenary. AøuU Psk ÷£]¯x PõºiÚº ©mk÷©. Her insight was confirmed at Pemberley. ö£®£º¼°À AÁº TÔ¯x Esø© GÚz öu›¢ux. |
19.Mrs. Gardiner is affectionately intelligent. She is a source of solace. Mrs. PõºiÚº ¤›¯©õÚ AÔÄøh ©õx. AÁÒ BuµÄ uµ ÁÀ»ÁÒ. | ||
20.A good listener is popular everywhere. SÖUQhõ©À ÷£_ÁøuU ÷Pm£Áøµ AøÚÁ¸® ¸®¦Áõº. She who has something to give listens, does not talk. Â寪¸¢uõÀ SÖUQh ©õmhõº. Taking is going out, appears to be giving, but really takes. ÷£_Áx ¦Ó® GÚz ÷uõßÖ®, Esø©°À ÷£_£Áº ö£Ö£Áº. A listener gives on being asked. ö£õÖø©¯õPU ÷Pm£Áº, ÷PmhõÀ öPõk¨£õº. When she wants to give it is something very substantial. A¨£i¨£mhÁº öPõk¨£x Aºzu•ÒÍuõP C¸US®. That which in her which wants self giving is deeply buried. öPõk¨£Á¸US öPõkUS® Sn® BÌ¢x ¦øu¢v¸US®. Emotional patronage makes for everlasting friendships. Aßø£¨ ¤›¯©õPU öPõk¨£Á¸US |s£ºPÒ ¤›¯ ©õmhõºPÒ. | ||
21.A shallow person complains when she wants to compliment. Aºzu©ØÓÁß £õµõmh ¸®¤ÚõÀ SøÓ ö\õÀÁõß. Complaint is her relationship with others. Mrs.ö£ßÚmiØS EÓÄ Gߣx SøÓ TÖÁx. It requires a genius to see a compliment in a complaint. SøÓ ö\õÀÁx £õµõmk GÚ¨ ¦›¯ ©Ú® ÷©øu¯õP C¸UP ÷Ásk®. The defective vital structure complains. SøÓ¯õÚ Sn® SøÓ TÖ®. The vital structure of excess of energy can be shaped by Mind. EnºÂÀ öu®¦ ö£¸QÚõÀ ©Ú® AuØS ÁÈ Põmk®. Complaint is the vital attempting to rise to Mind. SøÓ TÔ Enºa] E¯µ •¯ÀQÓx. Cruelty or tyranny is love delivered through darkness. C¸Ò ÁÈ Á¸® Aߦ öPõkø©. Cruelty is love of darkness. öPõkø© C¸øÍ AÝ£ÂUS®. | ||
22.Mrs. Bennet considers herself ill-used when events do not take the course she desires. AÁÎèh¨£i Põ›¯® |hUPõÂmhõÀ GÀ÷»õ¸® ußøÚz usizuuõP¨ ÷£_Áõº Mrs. Bennet. | ||
23.Complaints give an intensity to life which even enjoyment cannot. | ||
24.Those who complain, complain against others, against life and finally against themselves. | ||
25.To be on the point of marriage is a great moment in one’s life. v¸©nzøu Gvº÷|õUS£Áº ÁõÌÂÀ ö£¸ ÷|µzøu Aݣ¨£Áº. Such a moment in a girl’s life comes from outside. ö£sqUS Ax ÷£õßÓ ÷|µ® öÁΰÛßÖ Á¸QÓx. An inner ripening of emotions attracting the outer event, such a point is arrived at. AP® {øÓ¢x ¦ÓzøuU PÁºÁx A¢u ÷|µ®. Such an inner occasion can be of the girl, of the family or her mother or sister. A¨£i¨£mh ÷|µ® ö£sqøh¯x AÀ»x AÁÒ Sk®£zxøh¯x. uõ¯õ÷µõ, \÷Põu›÷¯õ A¢u ÷|µzøuz u¸ÂUP»õ®. Such a moment can be called psychological puberty. ©Ú® ö|g]À {øÓ¢x ö£s Á¯vØS Á¢u ÷|µ® Ax GÚ»õ®. The girl’s readiness may bring the boy. ö£s u¯õµõÚõÀ, ø£¯ß |õi Á¸Áõß. The family’s maturity can bring the money. Sk®£® ©ÚzuõÀ v¸©nzvØSz u¯õµõÚõÀ, £n® Á¸®. An outer event may infructuously call on and go away if other circumstances are not ready. ¦Ó {PÌa] Á¢x uÁÖÁxsk. AP® u¯õ›À»õuö£õÊx Ax {PÊ®. The marriage takes place when everything is ready. AøÚzx® u¯õµõP C¸¢uõÀ v¸©n® |hUS®. If all circumstances are partially ripe the engagement takes place. GÀ»õ \¢uº¨£[PЮ KµÍÄ u¯õµõP C¸¢uõÀ {a\¯uõºzu® |hUS®. The inner can explain the outer. AP® ¦Ózøu ÂÍUS®. The outer can explain the inner. ¦Ó® APzøu ÂÍUS®. A strong inner can create the outer circumstances. AP® Á¾ÁõÚõÀ ¦Ózøu EØ£zv ö\´²®. Equally a strong outer can create the inner maturity. A÷u ÷£õÀ AP® BÌ¢x {øÓÁøu Á¾ÁõÚ ¦Ó® u¯õº ö\´¯ •i²®. The entire work can be done by either the inner or outer or any member of the family or friend. •Ê ÷Áø»ø¯ & v¸©nzøu & AP÷©õ, ¦Ó÷©õ \õvUS®. Sk®£zvÀ J¸Á÷µõ, |s£÷µõ \õvUP •i²®. To be on the point of marriage is romance of life. v¸©n ÷|µ® PõuÀ •vº¢x ªÎ¸® ÷|µ®. | ||
4. | "I do not blame Jane," she continued, "for Jane would have got Mr. Bingley if she could. But Lizzy! Oh, sister! It is very hard to think that she might have been Mr. Collins's wife by this time, had not it been for her own perverseness. He made her an offer in this very room, and she refused him. The consequence of it is, that Lady Lucas will have a daughter married before I have, and that Longbourn estate is just as much entailed as ever. The Lucases are very artful people indeed, sister. They are all for what they can get. I am sorry to say it of them, but so it is. It makes me very nervous and poorly to be thwarted so in my own family, and to have neighbours who think of themselves before anybody else. However, your coming just at this time is the greatest of comforts, and I am very glad to hear what you tell us of long sleeves." "|õß ÷áøÚ SøÓ TÓÂÀø», AÁÍõÀ •i¢v¸¢uõÀ v¸. ¤[Q¼ø¯ Aøh¢v¸¨£õÒ" GßÓ v¸©v. ö£ßÚm "BÚõÀ ¼]! K GÚx \÷Põu›÷¯! AÁÐøh¯ ¤iÁõu® ©mk® CÀ»õ©¼¸¢v¸¢uõÀ AÁÒ C¢÷|µ® Põ¼ßêß ©øÚ¯õQ°¸¨£õÒ. Cøu {øÚzuõ÷» Pèh©õP EÒÍx. C÷u AøÓ°Àuõß AÁß, AÁøÍ ußøÚ ©nUS©õÖ ÷Pmhõß, BÚõÀ AÁÒ ©Özx ÂmhõÒ. Cuß ÂøÍÁõP GÚUS •ß£õP÷Á ÷»i ¿Põì J¸ ©PÐUS v¸©n® •izx ÂkÁõÒ, »õ[£ºß Gì÷hmk® |®ªhª¸¢x ÷ÁÖ J¸Á¸US¨ ÷£õ´Âk®. \÷Põu›÷¯, ¿Põì Sk®£zvÚº ªPÄ® u¢vµ©õÚÁºPÍõP C¸UQßÓÚº. GßÚ QøhUS® Gߣv÷»÷¯ SÔ¯õP C¸¨£õºPÒ, GÚUS AÁºPøͨ£ØÔ CÆÁõÖ ö\õÀ» Pèh©õPzuõß C¸UQÓx. BÚõÀ Axuõß Esø©. Gß Sk®£zvÚ÷µ GÚUS Cøh³Ö ö\´Áx Gß {®©vø¯ öPkUQÓx. A÷uõhÀ»õ©À Gß A¸QÀ Á]¨£ÁºPЮ _¯|»Áõv¯õP C¸UQßÓÚº. G¨£i°¸¨¤Ý® } \©¯zvØS Á¢ux GÚUS ªPÄ® BÖu»õP C¸UQÓx. ÷©¾® }Í©õÚ øP²ÒÍ Eøhø¯¨£ØÔ } TÖÁøuU ÷PmP \¢÷uõå©õP EÒÍx." | 26.The girl who cooperates is not to blame. JzxøÇUS® ö£s «x SøÓ TÓ •i¯õx. The blame lies with the man or other circumstances. uÁÖ Bs©PÝUS›¯x, AÀ»x \¢uº¨£zvØS›¯x. For a mother to discover disobedience in a child is intolerable. ö£s ÷£a_USU Pmk¨£hÂÀø» Gߣx uõ¯õµõÀ ö£õÖUP •i¯õx. The determinant is neither the child nor the mother. •iÄ ö\´Áx ö£sqªÀø», uõ¯õ¸ªÀø». It is a cosmic determinant that decides. •iÄ ¤µ£g\zvØS›¯x. Each of them can go in and be the cosmic determinant. GÁ¸® EÒ÷Í ÷£õ´ ¤µ£g\zvß •iøÁ GkUP»õ®. At that point all unite. It is in the universal plane. APzxÒ AøÚÁ¸® IUQ¯©õÁõº. Ax ¤µ£g\®. The drama of life is the human determinant trying to be the cosmic determinant without being that. ©Ûuß ¤µ£g\zøu Gmhõ©À ¤µ£g\ •iøÁ |õkÁx E»P ÁõÌÂÀ |õhP©õQÓx. The joy of life is Man assuming himself to be one. ©Ûuß AÆÄ›ø© uÚUSsk GÚU Põs£x ÁõÌÂÀ Cߣ®. 27.Mrs. Bennet could have complained against Jane for not staying in Netherfield for two more days, but she did not as the intensity of the other complaint was great. 28.More than Elizabeth missing the marriage, Mrs. Bennet was aggrieved that Lady Lucas had stolen a march over her. 29.To be thwarted makes Mrs. Bennet nervous and poorly. 30.The only reference to ‘artful people’ in the story is here. Meryton seems to be a place free of active, vicious malice though the capacity for it is always present. ö©›mhß Qµõ©® |À» FµõPz öu›QÓx. ¤Óøµz uõÌzv¨ ÷£_® \¢uº¨£® C[÷P Mrs. ö£ßÚm, ¿Põì Sk®£zøuU SøÓ TÖÁuõS®. Aøuz uµ Pøu°À A¢u Áõøh÷¯°Àø». ©Ûu _£õÁ® G¨ö£õÊx® uÁÓõP¨ ÷£\U Põzv¸¢uõ¾® Fº |À» £ÇUP•ÒÍ Ch©õPz öu›QÓx. 31.One man’s rationality is another man’s perverseness. J¸Á¸US {¯õ¯® AkzuÁºUS SuºUP®. 32.More than the marriage of a daughter, what matters is she should be the first to celebrate a daughter’s wedding, not the neighbour. ö£sqUSz v¸©n©õÁøuÂh ÷»i ¿PõéüUS •ßÚõÀ, uõß uß ö£sqUSz v¸©n® ö\´¯ ÷Ásk®. Man is after the intensity of the small more than the fulfillment of the great ideal. ö£›¯ Â寮 §ºzv¯õÁøuÂh ©Ûuß AÀ£ Bø\Pøͨ §ºzv ö\´x öPõÒͨ ¤›¯¨£kÁõß. 33.To have bad opinion about close friends is to be cynical. ö|¸[Q¯ |s£ºPøͨ £ØÔz uÁÓõÚ A¤¨¤µõ¯® öPõÒÁx ©Ûuz ußø©¯ØÓ {ø». 34.Disappointment is described as nervousness. H©õØÓ® Á¢uõÀ öhßåß GßQÓõº. Life disappointment is converted by the uncultivated mind as the illusion of nervousness. ÁõÌUøP H©õØÔÚõÀ AÔÁØÓÁº Aøu £h£h¨¦ Á¢x Âmhx GßQÓõº. 35.Long sleeves is the psychological equivalent of a daughter’s marriage. øP }Í©õP µÂUøP ÷£õkÁx ö£sqUSz v¸©n® ö\´Áx ÷£õ». |
5. | Mrs. Gardiner, to whom the chief of this news had been given before, in the course of Jane and Elizabeth's correspondence with her, made her sister a slight answer, and, in compassion to her nieces, turned the conversation. C¢u Âå¯zøu¨£ØÔ¯ •UQ¯©õÚ ÂÁµ[PøÍ ÷áÝ®, G¼\ö£zx® v¸©v. PõºiÚ¸US u[PÐøh¯ Piu[PÎÀ HØPÚ÷Á öu›Âzv¸¢uuõÀ, Aøu¨£ØÔ AvP® ÷£\õ©À, ©¸©PÒPÒ «v¸¢u £›ÂÚõÀ ÷£aø\ vø\ v¸¨¤ÚõÒ. | 36.Patient listening makes for best friendship. 37.Mrs. Gardiner cannot have a reasonable conversation with Mrs. Bennet. Mrs. Gardiner, in that case, has to listen to Mrs. Bennet’s nerves. 38.To listen to what you already know as new information is politeness. öu›¢uøu¨ ¤Óº ÷£_®ö£õÊx Aø©v¯õPU ÷Pm£x ©›¯õøu. |
6. | When alone with Elizabeth afterwards, she spoke more on the subject. "It seems likely to have been a desirable match for Jane," said she. "I am sorry it went off. But these things happen so often! A young man, such as you describe Mr. Bingley, so easily falls in love with a pretty girl for a few weeks, and when accident separates them, so easily forgets her, that these sort of inconstancies are very frequent." ¤ß¦ G¼\ö£zxhß uÛ¯õP C¸US® ö£õÊx Cøu¨£ØÔ ÷£\»õÚõÒ. "Ax ÷áÝUS¨ ö£õ¸zu©õÚ ÷áõi¯õPzuõß C¸¢v¸US®. Ax uÁÔ¨ ÷£õÚvÀ GÚUS ªPÄ® Á¸zu©õP EÒÍx. BÚõÀ Cx÷£õßÓ \®£Á[PÒ AiUPi |hUQßÓÚ. } ÂÁ›US® ¤[Q¼ø¯ ÷£õßÓ J¸ CøÍbß, AÇPõÚ ö£søn¨ £õºzuÄhß PõuÀ öPõÒÁx®, ]» Áõµ[PÐUS¨ ¤ÓS H÷uõ J¸ A\¢uº¨£® Põµn©õP¨ ¤›²® ö£õÊx, _»£©õP ©Ó¢x ÂkÁx®, Cx÷£õßÓ ©Ú EÖv°À»õ©À C¸¨£øu AiUPi £õºUP»õ®." | 39.What passes for love are of several grades. Violent love is one of them and is being analysed here. Attraction, attachment, affection, goodness of behaviour, kindness verging on interest, infatuation, passion, Romantic love, idealistic adoration, etc. are the grades. Bingley is attracted to Jane. If not interfered he will marry Jane is true. But the main centre of Bingley’s personality is the status and strength of character of Darcy. He cannot be considered all by himself, as he has no independent existence. His love is a function of his life. Whatever role his sisters play, he is fully and totally dependent on Darcy. PõuÀ GßÓ ö£¯µõÀ SÔ¨¤k® EÓÄPÒ £»ÁøP. AøÁ¯øÚzx® v¸©nzvÀ •i£øÁ. Pshx® PõuÀ J¸ÁøP. •øÓ ©õ¨¤ÒøÍ GߣuõÀ Bø\ GÊ®. A¸Q¼¸¨£øu Aߦ GÚU öPõÒÁxsk. £ÇQ¯ ÷uõå® £s£õS®. uªÌ|õmk C¢v¯ ©µ¦¨£i CÁÒ/ß GÚUPõP HØ£mhÁß Gߣx ö£›¯ Esø©. GßøÚ¨ ö£s£õºUP Á¢uuõÀ, ÷ÁÖ Áµß ÷Áshõ® Gߣx® Esk. ¤[¼, GÁ¸® uøh ö\´¯õÂmhõÀ, ÷áøÚ ©n¨£õß Gߣx \›, ¤[¼ GßÖ J¸ ©Ûu÷Ú A[S CÀø». hõº]°ß £n•® A¢uìx® AÁß E°º|õi. AÁÛßÔ ¤[¼US KµqÄ® Aø\¯õx. AuÚõÀ AÁß Enºa]PÒ |øh•øÓUS PnUQÀ Áµõ. `m_©©õP ö\¯À£k® uSv Enºa]USsk. 40.Bingley forgetting himself in Jane can pass for violent love. ÷á÷Úõk C¸¢uõÀ ¤[¼°ß PsqUS ©ØÓÁº öu›¯õx GߣuõÀ AÁß PõuÀ Á¾ÁõÚx GÚ»õ®. 41.Mrs. Gardiner jumps to a conclusion before listening to either of her nieces. 42.Mrs. Gardiner knows the general case, not Jane’s. 43.She was not patient enough to listen fully about Jane. 44.Enthusiasm evaluates events according to expectation. Â寮 |h¢uõÀ EØ\õP® uß Gvº£õº¨£õÀ Aøu ©v¨¤k®. Maturity understands by experience. Â÷ÁQ AÝ£ÁzuõÀ Âå¯zøu HØÔ¨ ÷£õØÖÁõº. |
45.A rare occurrence for the individual is a common experience in general life. AøÚÁ¸US® G¨ö£õÊx® |h¨£x J¸Á¸US |hUS®ö£õÊx A›uõPz öu›QÓx. | ||
46.An accident for the person is an incident in life. ÁõÌÂß ö\¯À uÛ |£¸US B£zx. | ||
47.Frequent inconsistencies show an unsettled society. AiUPi Â寮 ©õÖÁx \‰P® {ø»¯ØÓx GÚU PõmkQÓx. | ||
7. | "An excellent consolation in its way," said Elizabeth, "but it will not do for us. We do not suffer by accident. It does not often happen that the interference of friends will persuade a young man of independent fortune to think no more of a girl whom he was violently in love with only a few days before." "J¸ ÂuzvÀ Cx ]Ó¢u BÖuÀuõß" GßÓ G¼\ö£z, "BÚõÀ G[PÐUS Cx ÷£õuõx. |õ[PÒ J¸ A\®£õÂuzuõÀ Pèh¨£hÂÀø». öu›¢x |h¢u Â寮uõß. _u¢vµ©õP C¸UPU Ti¯ ö£¸gö\ÀÁ® £øhzu J¸ CøÍbß ]» |õmPÒ •ß¦Áøµ uõß wµ©õPU Põu¼zu J¸ ö£søn, uß |s£ºPÎß ysku»õÀ, GÎvÀ ©Ó¢x ÷£õÁõß Gߣx AiUPi |h¨£vÀø»" GßÓõÒ. | 48.Elizabeth was annoyed that her aunt did not understand. 49.Every case, whatever the issue, love or money, is unique at some point. 50.Real understanding arises in seeing that. 51.What we call accident – a vehicle knocking down someone – is an act that is self-explanatory from energy. 52.There is interference in love affairs positively or negatively. Looking at the energy flow, the reason will be self-evident. 53.Caroline acts negatively, Charlotte acts positively. 54.For the integral view of the entire novel, it must be seen at all points – energy, force, power, results, movement, form, sensation, determinism and every aspect in creation the list of which is endless – and then what views is not the senses. 55.Mind and higher levels of the Mind emerge into the picture. 56.Bingley was violently in love without an independent will. 57.Jane was violently in love. Her violent energy was to suppress it. 58.Both issue out of Elizabeth’s violence of wish for Jane’s wedding. 59.She gets her energy from her mother. Her mother is intense because of the differential in values between her and her husband. 60.It was a social movement that was trying to close the gap. 61.That act directly comes from the French Revolution which comes from the Man who was sitting in the Himalayas. |
62.The Indian spiritual movement of liberation ultimately creates the violent love in Bingley. | ||
63.A particular issue viewed generally offers consolation. SÔ¨¤mh Âå¯zøu¨ ö£õxÁõP¨ ¦›¢x öPõÒÁx BÖuÀ u¸®. Such a consolation is to the understanding. AÆÁõÖuÀ AÔÄ. The vital is frustrated or even irritated by such consolations. Enºa]US Ax ÷£õßÓ BÖuÀ G›a\¾® µUv²® u¸®. General phenomenon of inconsistency becomes a tragedy in the individual experience. ö£õxÁõP {ø»°ßÔ ©õÔ ©õÔ |h¨£x uÛ ©ÛuÝøh¯ AÝ£ÁzvÀ Pèh©õP¨ ¦›²®. Just because it is frequent the individual is not consoled. £»º Áõ̾® AiUPi |h¨£uõÀ uÚUS |hUS®ö£õÊx BÖu»õP C¸UPõx. What the individual seeks is satisfaction, not consolation. ©ÛuÝUS BÖuÀ ÷uøÁ°Àø», v¸¨v ÷Ásk®. Knowledge consoles. AÔÄ BÖu»õS®. Understanding offers solace. ¦›ÁuõÀ ©ÚUP\¨¦ Ah[S®. Wider the understanding greater is the stoicism. AÔÄ Â\õ»©õÚõÀ, Â÷ÁP©õÚ ö£õÖø© Á͸®. Tragedy for the youth is experience for the age. CÍø©°À xºAvºèh® •Êø©US AÝ£Á®. The vital seeks experience not knowledge. Enºa]US AÔøÁ Âh AÝ£Á® AÁ]¯®. | ||
64.A rare misfortune occurring in a family is an announcement that a rare good fortune awaits them. Sk®£ xºAvºèh® ÷£º Avºèh® Áµ¨ ÷£õÁøuU SÔUS®. It is true in a positive atmosphere. ÷|µ® |À»uõP C¸¢uõÀ Cx Esø©. In the rarest case, that good fortune comes out of the very person. Who was the cause for this misfortune? A›v¾® A›uõP GÁµõÀ ö£›¯ xº Avºèh® Á¢u÷uõ AÁµõ÷»÷¯ A¨÷£º Avºèh® Á¸®. It is transformation of social life. \‰P ÁõÌÄ v¸Ä¸©õÖÁuõÀ Ax |hUQÓx. The initial interference is the forerunner for the final interference. Bµ®£zvÀ Cmh uø»±k •iÂÀ Á¢u SÖURmiØS AìvÁõµ®. It is interesting to see the one interference is the reversal of the other. •u¼À Á¢u SÖURk •iÁõÚ SÖURmiß uø»RÌ E¸Á®. An accident is an intentionally created incident. B£zx ö©ÚUöPmk HØ£kzv¯ |À» {PÌa]°ß •ß÷Úõi. It is difficult to protect oneself from friends. |s£ºPÎhª¸¢x u¨¤¨£x PiÚ®. Proximity prompts perversity. ö|¸UP® ö|g]À ö|¸hÀ HØ£kzx®. The excessive positive interest of one sister is counter balanced by the excessive negative interest of another sister. G¼\ö£z ÷áß «x öPõskÒÍ AvP¨ ¤›¯® Põµ¼ß ¤[¼ «x öPõskÒÍ AvP Âå©õ°ØÖ. Life keeps its rhythm and balance providing for the temperament. ÁõÌÂß HØÓz uõÌÄPÒ ©Ûu _£õÁzuõÀ {øÓ÷ÁØÓ¨£kQßÓÚ. Love is an occasion when one cannot persuade another. PõuÀ GÊ¢u¤ß GxÄ® PõvÀ ÂÇõx. She who persuaded her brother against the marriage is not aware that it will result in persuading life against her own marriage. ¤[¼ø¯ ÷áøÚz v¸©n® ö\´¯UThõx GßÖ ö\õÀ¼¯uõÀ ÁõÌÄ Põµ¼ß hõº]ø¯ ©nUPz uøhö\´²ö©Ú AÁÐUSz öu›¯õx. No act ends there. It continues to repeat. G¢u Põ›¯•® Azxhß •iÁvÀø». Ax öuõhº¢x «sk® «sk® Á¸®. Initiative in Nature continues to exist and grow. It never dies. It rises to higher planes. Not only souls evolve, acts too evolve. ÁõÌUøP uõß ö\´¯ ÷Ási¯øua ö\´x öPõsi¸US®. Ax {ØPõx. Ax E¯º¢x Á͸®. Bz©õ ÁͺÁx ÷£õÀ ö\¯¾® Á͸®. We do not mind if good acts evolve, but all acts evolve. |À»x Áͺ¢uõÀ £µÁõ°Àø». GÀ»õ® Á͸®. Acts evolve into emotions. ö\¯À Áͺ¢x EnºÁõS®. Emotions evolve into knowledge. Enºa] AÔÁõS®. Knowledge evolves into light and consciousness. AÔÄ ÷áõv¯õQ, 㯩õS®. The evolution continues through the being till it reaches the Absolute. £›nõ© Áͺa] öuõhº¢x 㯮 ãÁÚõQ, ¤µ®©©õS®. The Absolute is the determinant. ¤µ®©÷© •iÄ ö\´QÓx. It has to cry a halt to the evolution. ¤µ®©zxhß £›nõ©® •i²®. An act evolves not in one direction but side ways too. ö\¯À ÷|µõP ÁͺÁvÀø», GÀ»õ £UP[Pξ® Á͸®. The individual act evolves into a universal act. J¸ ö\¯À Áͺ¢x ¤µ£g\ ö\¯»õS®. It becomes the universal emotion, etc. Ax ÷©¾® Áͺ¢x ¤µ£g\ Enºa]¯õS®. | ||
8. | "But that expression of 'violently in love' is so hackneyed, so doubtful, so indefinite, that it gives me very little idea. It is as often applied to feelings which arise from an half-hour's acquaintance, as to a real, strong attachment. Pray, how violent was Mr. Bingley's love?" "wµ©õÚ PõuÀ Gߣ÷u J¸ {a\¯ªÀ»õu |®¤UøP¯ØÓ, GÀ÷»õ¸® E£÷¯õQUS® J¸ ö\õÀ. CuØS GßÚ Aºzu® Gß÷Ó GÚUSz öu›¯ÂÀø». J¸ Aøµ©o ÷|µ £›a\¯zvÀ ußÝøh¯ EnºÄPøÍ Esø©¯õÚ PõuÀ GÚ {øÚzx E£÷¯õP¨£kzx® J¸ Áõºzøu°x. Esø©¯õÚ Põu¾US® C÷u Áõºzøuuõß. v¸. ¤[Q¼°ß PõuÀ G¢u AÍÄUS wµ©õÚx?" | 65.“Violently in love” is hackneyed. To consider a true movement as a hackneyed one is a hackneyed attitude. 66.When phrases are born in a language – e.g. conscience – they are powerful, expressive. Home is one such word. 67.Applying them inappropriately it becomes awkward bringing into the field the Non-being. 68.It is true of each word. 69.Please note any word was preceded by a long explanation of gestures and sounds. 70.After exhausting her mental experience of social insipidity, Mrs. Gardiner does not, as usual, dismiss it, but wants to know how violently he was in love. 71.Mrs. Gardiner, as we see her perceiving the face of Darcy at Pemberley, has a keen perception, but is suffering from the habit of suspicion of new-fangled phrases, but beyond that, she too is taken in by Wickham’s countenance. Neither Mr. Bennet nor Mrs. Gardiner are able to penetrate Wickham’s presentation fully. 72.He will deceive most but not those who have the subtle perception which sees not what is presented but the motive. 73.Mrs. Gardiner overlooks the fact that Elizabeth will not talk lightly. 74.The moment Wickham turns to Miss King, his character catches her attention. |
75.Public opinion has the real penetration, though it can honour many things that are not true. | ||
76.To be violently in love is one way of looking for a wife. wµ©õP GÊ® PõuÀ ©øÚÂø¯U Põn EuÄ®. What is common is to fall in love with every pretty face. AÇøPU Psk Bø\¨£kÁx AøÚÁ¸US® EÒÍx. Oliver Goldsmith charmingly said Man is in love with the whole sex. ö£s GߣuÚõ÷»÷¯ ¤›¯¨£kÁx Boß _£õÁ® GÚ B¼Áº ÷PõÀm ìªz TÔÚõº. Youth is infatuated. CÍø©US›¯x ø©¯À. Strong characters are passionately in love. BÌ¢u _£õÁ® wµ¨£õ\zøuU PõuÀ GÚU öPõÒЮ. He who is passionate takes to a woman passionately. wµ©õÚÁß ö£sønz wµ©õP |õkQÓõß. To be passionate is a fulfillment in itself. wµ® ußøÚa _¯©õP¨ §ºzv ö\´x öPõÒЮ. Passion is forceful, powerful. wµzvØS ÷ÁP•sk, £Á¸sk. Some can be passionate about any woman. G¢u¨ ö£s «x® wµ©õP Bø\¨£k£Á¸sk. Others can be passionate about every thing. ÷ÁÖ ]»º G¢u Âå¯zv¾® wµ©õP C¸¨£õºPÒ. To be violently in love is to be concentrated. wµ©õÚ PõuÀ Gߣx Ax uµ ÷ÁÓÔ¯õux. No such concentration develops without mind coming into the picture. J÷µ SÔ¯õP ußøÚ ©Ó¨£x ©Ú®. Passion spends itself in one act. J÷µ ö\¯¼À wµ® ußøÚ¨ §ºzv ö\´x öPõÒЮ. Mind endures. ©Ú® Aøu HØS®. An ideal of the Mind endures longer. ©Ú® HØÓ C»m]¯® }iUS®. One is violently in love when in her absence she fully occupies him. Gv÷µ°À»õuö£õÊx® ©Úzøu •ÊÁx® BUµªzxU öPõÒÁx wµ©õÚ PõuÀ. It is not the characteristic of the vital. Enºa]¯õÀ Ax ÷£õÀ C¸UP •i¯õx. For the vital one has to be before the eyes. Gv›¾ÒÍ Áøµ GÀ»õ® AÁ÷µö¯Ú Enºa] P¸x®. Only the Mind remembers even in her absence. CÀ»õÂmhõ¾® {øÚ¼¸UP ©ÚzuõÀ ©mk® •i²®. While in her presence, he cannot see anything else. Põu¼²hÛ¸¢uõÀ, AÁß PsoÀ ©ØÓ GxÄ® £hõx. Violent love fulfils itself. wµU Põu¾US Ax÷Á •iÄ, £›_. Violent love is capable of exciting love in another. wµU PõuÀ AkzuÁ›À Aøu Gʨ£ •i²®. Violence is greater force without structure. wµ® Gߣx vø\¯Ô¯õu \Uv. Structure converts the force into Power removing violence. Aø©¨¦ \Uv°ß wµzøu £ÁµõP ©õØÖ®. To break the bounds of decorum is the characteristic of love. •øÓø¯ £»ÁøP°¾® «ÖÁx PõuÀ. In very rare cases Men can fall violently in love many times. ©Ûuº, A›uõP, wµ©õP¨ £»•øÓ PõuÀÁ¯¨£k£Áº. She who reinforces what he stands for makes his love violent. AÁß C»m]¯zøu EÖv£kzx£ÁÒ Põu¾USz wµ® u¸£ÁÒ. Violence in love is a microscope that magnifies it and excludes everything else. wµ©õÚ PõuÀ ø©UQµõì÷Põ¨ ÷£õÀ EÒÍøu B°µ® ©h[S ö£›¯uõUQ ©ØÓ AøÚzøu²® »US®. Habitual affection does not develop violence of love. £ÇQ¯ ÷uõå® wµU Põuø» Esk £snõx. Breaking the social boundaries is commitment. Føµ «Ôa ö\¯À£kÁx PõuÀ ö|¸UP©õÁx. Crossing the psychological barrier is violence. ©Úa\õm]ø¯ «ÖÁx ©Úzøu¨ ¦s£kzx®. | ||
77.Phrases become hackneyed by indiscriminate use. Aºzu ¦èi¯õÚ ö\õØPÒ Aºzu©ØÓ ö\¯»õÀ AÁ»©õQßÓÚ. Loss of life makes a phrase hackneyed. ö\õÀ ãÁøÚ°Ç¢uõÀ, ãÁÚØÓ áh©õQÓx. Form without content ends in a hackneyed phrase. Â審ØÓ ÷uõØÓ® ö\õÀ¼ß AÇøP¯Èzx ÂkQÓx. | ||
78.It is not given to every body to express an event so as to communicate the idea. J¸ {PÌa]°ß ãÁß öÁΨ£h ÂÍUP AøÚÁµõ¾® •i¯õx. An idea is communicated when it is delivered through an appropriate phrase. Â寮 ¦›¯ ÷Ásk©õÚõÀ ÂÁµ® ãÁÝÒÍ ö\õÀ»õÀ ÷£\¨£h ÷Ásk®. Word and thought synchronizing never fail to communicate. Gsn•® ö\õÀ¾® Cøn¢vøÇ¢uõÀ £»ß uÁÓõx. | ||
79.In half an hour’s acquaintance one falls in love. Aøµ©o Eøµ¯õh¼À A¢uµ[P |m¦ GÊ®. Or one feels he is fallen in love. Põu¼À ußøÚ°Ç¢uøu ©Ûuß A¨ö£õÊx En¸Áõß. It is the intensity of the moment that gives the sense of eternity. ÷|µ® wµ©õÚõÀ Põ»® ußøÚU Ph¢u \õìÁuzøu AÔ²®. He who really falls in love does not need half an hour. PõuÀ GÇ PõÀ ©o ÷uøÁ°Àø». He does so on the spur of the moment. £õºzu ©õzvµ® £õºøÁ £Âzvµ©õS®. Routine acts are created by thoughts. ]¢uøÚ £ÇUP©õÚ Gsn[PøÍ EØ£zv ö\´²®. They accomplish the work, but are not live. CuÚõÀ ÁõÌÄ BØöÓõÊUPõP Kk®, ãÁÛ¸UPõx. Live acts are not acts originated by thought. ãÁÝÒÍ ö\¯À ]¢uøÚ¯õÀ GÊÁvÀø». As a scorpion falling on the body is rejected, they are automatic action. ÷©÷» ÂÊ¢u ÷uøÍ EuÖÁx ÷£õÀ EuÓ ÷Ási¯øÁ AøÁ. Automatic action is subconscious action. C¯À£õP |h¨£øÁ BÌ©Úa ö\¯ÀPÒ. The superconscient acts in a trice like that. £µ©õz©õ |®ªÀ Ax ÷£õÀ ö\¯À£kQÓõº. It is a moment of inner awakening. Ax Bz©õ ÂÈUS® ÷|µ®. Many on seeing Bhagavan or Mother felt such an opening. AßøÚ u›\Ú® Bz© u›\Ú®. £PÁõøÚU Põs£x £Âzvµ©õÚ ÷|µ®. Rarely an act can do so. J¸ ö\¯À Ax ÷£õÀ ÂȨ¦ u¸Áx A›x. An idea that is an ideal can act like that. C»m]¯©õÚ Gsn® Ax ÷£õÀ ö\¯À£k®. A person who is such an act to one opens him suddenly. J¸Áº AkzuÁºUS Ax ÷£õ»õÚõÀ Bz©õ ÂÈUS®. In spirit it is initiation without ceremony. \®¤µuõ¯ªÀ»õu wmø\¯x. In public life one accepts an ideal of service like that. ö£õx ÁõÌÂÀ ÷\øÁø¯ HØ£ÁÛß £õ[S Ax. A person giving such an opening is romance. BqUS AÆÂȨø£z u¸® ö£s PõuÀ wø¯ Gʨ¦QÓõº. The highest romance is capable of living for ever. Põu¼ß Ea\Pmh® Põ»zvØS® E°÷µõi¸US®. It can also be short lived. AxÄ® AÀ£õ²\õP¨ ÷£õÁxsk. The long life of romance loses its vitality to the coarseness of the Man. Põ»zvØS® ÁõÊ® PõuÀ Cu¯zvß uõÌ¢u SnzuõÀ _¸[SQÓx. Values alone in Man keep the purity of romance. ©Ûu¨ £s¦ Põu¼ß y´ø©ø¯U Põ¨£õØÖ®. In romance the woman is a part, the whole being life or existence. Põu¼À ö£s £Sv, ÁõÌÄ Auß •Êø©. Romance is the vibration of the integral whole. PõuÀ §µn ÁõÌÂß ¦zxnºa], xi¨¦. | ||
9. | "I never saw a more promising inclination; He was growing quite inattentive to other people, and wholly engrossed by her. Every time they met it was more decided and remarkable. At his own ball he offended two or three young ladies by not asking them to dance; and I spoke to him twice myself without receiving an answer. Could there be finer symptoms? Is not general incivility the very essence of love?" "C¢u AÍÄUS |®¤UøP³mk® ¸¨£zøu |õß £õºzuvÀø». ©ØÓÁºPÒ C¸¨£øu²® ©Ó¢x, AÁÎh÷© •ØÔ¾©õP Dk£mi¸¢uõß. JÆöÁõ¸ •øÓ \¢vUS® ö£õÊx®, A¢u Dk£õk AvP›zux, ÷©¾® öuÎÁõPz öu›¢ux. AÁß HØ£õk ö\´v¸¢u |hÚzv÷»÷¯ Cµsk, ‰ßÖ ö£s©oPøÍz ußÝhß |hÚ©õh AøÇUPõ©À, AÁºPÒ ©Úøu ¦s£ha ö\´uõß, AÁÛh® |õß C¸•øÓ ÷£]¯ ö£õÊx®, AÁß Aøu ö\²ØÓx ÷£õ»÷Á ÷uõßÓÂÀø». CøuÂh |À» AÔSÔ ÷ÁÖ H÷uÝ® ÷uøÁ¯õ? Ai¨£øh ©›¯õøuø¯ ©Ó¨£x Gߣ÷u Põu¼ß •UQ¯ A®\©À»Áõ?" | 80.A man offends a lady if he does not ask her to dance. 81.Darcy offends everyone. Mary is thus offended by everyone. 82.Man in love is identified with the emotion of love and is lost. Even that intensity of emotion cannot act without will. 83.In that condition he sees all others as his love. 84.The essence of love is idealistic emotion that is unaware of the outside society. 85.That kind of love is powerful, self-fulfilling even without will. 86.A promising inclination can lead to engagement and marriage. ö£¸® AÍÄUS¨ ¤izuª¸¢uõÀ {a\¯®, v¸©n® |hUS®. It is not to be violently in love. AuØSz wµ©õÚ PõuÀ GÚ¨ ö£¯›Àø». Love is not a promise or an inclination. PõuÀ ¤izuªÀø», Ti Á¸® EnºÂÀø». Love is the thing, it falls plump, without even showing a prior an inclination. PõuÀ uõ÷Ú GÊÁx, vjöµÚ GÊ®, ¤izuzvØSU Põzv¸UPõx. 87.Inattention to others, being wholly engrossed in her is certainly a promise. ¤ÓøµU PÁÛUP •i¯õ©À ö£so÷»÷¯ Dk£kÁx ¤izu©õS®. It is a promise that inclines. C¢u ¤izu® Ti Á¸®. 88.Not to ask a young lady to dance is a social offence. |hÚ ©sh£zvÀ uÛzu ö£sqhß Bh •ß Áµõux uÁÖ. A Man coming to the ball respects the ladies gathered is implied. |hÚzvØS Á¸® BsPöÍÀ»õ® GÀ»õ¨ ö£sPmS® ©›¯õøu uµ ÷Ásk® He shows the respect by offering to dance with every one there. A[SÒÍ G¢u¨ ö£sqhÝ® Bh •ß Á¸Áx ©›¯õøu. It is not for the woman to offer to dance with a Man. ö£s |hÚ©õh •ß Áµ •i¯õx. The Man is obliged to dance with every woman. EÒÍ G¢u¨ ö£sqhÝ® BkÁx Boß Phø©. |
89.A symptom is not seen, but is felt. AÔSÔø¯ Enµ •i²®, £õºUP •i¯õx. | ||
90.What explains his being in love is an act, an act of not answering others. J¸Á¸USÒÍ ¤›¯® ö\¯À, ¤Ó¸US AvÀ £[QÀø». Words do not have the power of expressiveness. ö\õÀ¾US EnºÁøu GkzxU TÖ® vÓÛÀø». Nor do we have the capacity to make the words expressive. ö\õÀ¾US A¢u \Uvø¯ |®©õÀ uµ •i¯õx. An act is expressive. ö\¯À ÷£_®. To make words equally expressive is literature. ö\õÀ¾US Auß •Êz vÓÚΨ£x C»UQ¯®. | ||
10. | "Oh, yes! -- of that kind of love which I suppose him to have felt. Poor Jane! I am sorry for her, because, with her disposition, she may not get over it immediately. It had better have happened to you, Lizzy; you would have laughed yourself out of it sooner. But do you think she would be prevailed on to go back with us? Change of scene might be of service -- and perhaps a little relief from home, may be as useful as anything." "K B©õ®"&&AÁÝøh¯ PõuÀ A¨£i¨£mhuõP C¸¢ux GÚ |õß {øÚUQ÷Óß. £õÁ® ÷áß! AÁÐøh¯ _£õÁ® Põµn©õP AÁÍõÀ Cv¼¸¢x ^UQµ® «sk Áµ •i¯õx. Cx EÚUS ÷|º¢v¸¢uõÀ |ßÓõP C¸¢v¸US®, ¼], } Cv¼¸¢x ]›zxU öPõs÷h ^UQµ® «sk Á¢v¸¨£õ´. AÁÒ G[PÐhß Áµz u¯õµõP C¸¨£õÒ GÚ } {øÚUQÓõ¯õ? J¸ `Ì{ø» ©õØÓ®&&J¸÷ÁøÍ Ãmi¼¸¢x \ØÖ öÁÎ÷¯ ö\ÀÁx, AÁÐUS ªPÄ® |ßÓõP C¸US®." | 91.Mrs. Gardiner is unable to see the subtle truth that Bingley will certainly marry Jane. 92.Mrs. Gardiner sees it from the point of view of endurance, not how to accomplish. 93.Mrs. Gardiner expresses ready good will to take Jane to London. 94.Good will rises at once – a symptom that the marriage will take place. 95.There was a gap of 10 months as Mrs. Gardiner only thought of how to endure, but not how to accomplish. Still her good will is a positive symptom. 96.Mrs. Gardiner too, like her father, speaks that it can happen to her, Elizabeth. And it does happen. Out of the mouth of two people, Elizabeth was warned of Wickham. It is a sure sign of what happened later. Mrs. PõºiÚ¸®, AÁÒ uP¨£Úõøµ¨ ÷£õ»÷Á “ EÚUS |h¢uõÀ } uõ[QU öPõÒÁõ´” GÚU TÖÁx ÂUPõø© G¼éö£z ©nUP¨ ÷£õÁvÀø» GßÖ öuÎÁõQÓx. 97.A casual word about a sensitive issue helps it happen. ~m£©õÚ Âå¯zøu¨ £ØÔ¨ ö£õxÁõP¨ ÷£]Úõ¾® Ax |h¢x Âk®. The issue here is not sensitive, but it is very sensitive to Lizzy. C[S Â寮 wµ©õÚuÀ», Ax G¼\ö£zvØS •UQ¯®. Words can be as powerful as acts when the moment is LIVE and energy is saturated. ÷|µ® •UQ¯©õÚõÀ ö\õÀ¾US ö\¯¼ß \Uv²sk. Acts precipitate when the moment is brought to that pitch from all sides. £» ÷Põnzv¾® ÷|µ® {øÓ¢x Á¢uõÀ ö\¯À §ºzv¯õS®. Often nothing happens, because there is no energy in the movement. ö\¯À \Uv¯ØÓ ÷|µ®, GxÄ® |hUPõx. Saturated energy makes the moment precipitate an act. \Uv {µ®¤ ÁÈ¢uõÀ, ö\¯À uõ÷Ú Ti Á¸®. |
98.Change of scene removes all energy from pining. ¦x Ch® ÷£õÚõÀ ÷\õP©õP C¸UP •i¯õx. | ||
11. | Elizabeth was exceedingly pleased with this proposal, and felt persuaded of her sister's ready acquiescence. C¢u vmhzøuU ÷Pmk G¼\ö£z ªUP ©QÌa]¯øh¢uõÒ, ußÝøh¯ \÷Põu› CuØS Eh÷Ú \®©v¨£õÒ GÚ |®¤ÚõÒ. | 99.Elizabeth’s love of Jane is selfless, pure and perfect. 100. Excessive pleasure is good, will not help complete the act. |À»x ö\´¯ •øÚ¨£õP C¸¨£uõÀ, ö\¯ø»¨ §ºzv ö\´¯ EuÁõx. |
12. | "I hope," added Mrs. Gardiner, "that no consideration with regard to this young man will influence her. We live in so different a part of town, all our connexions are so different, and, as you well know, we go out so little, that it is very improbable they should meet at all, unless he really comes to see her." "A¢u CøÍbÛh® Põmh¨£k® G¢u £›Ä® AÁøÍ £õvUPõx GÚ {øÚUQ÷Óß" GßÓ v¸©v. PõºiÚº, "|õ[PÒ »shÛÀ ÷ÁÖ J¸ £Sv°À Á]UQ÷Óõ®, G[PÐhß öuõhº¦ÒÍÁºPÒ GÀ÷»õ¸® •ØÔ¾® ÷ÁÖ£mhÁºPÒ, |õ[PÒ AvP® öÁÎ÷¯ ÷£õÁvÀø» GÚ EÚUS |ßS öu›²®. BøP¯õÀ AÁÚõP÷Á AÁøͨ £õºUP Á¢uõ»ßÔ AÁºPÒ C¸Á¸® \¢v¨£x Gߣ÷u {PÇõx" GßÓõÒ. | 101. Having invited her to London, when Jane hopes to see Bingley, Mrs. Gardiner assures her repeatedly that there will be no danger of meeting Bingley. She fails to see him even by accident. ÷áøÚ C»shÝUS AøÇzu ö£õÊx ¤[¼ø¯ A[S \¢vUP»õ® GÚ AÁÒ HUP•ØÔ¸UQÓõÒ. Mrs. PõºiÚº ÂÍUP©õP A¢u \¢uº¨£® GÇõx GßQÓõÒ. Ax GÇÂÀø». 102. Mrs. Gardiner’s approach is to avoid Bingley, not a hope of meeting him. 103. Her caution keeps Jane away from Bingley. 104. Mrs. Gardiner says it is impossible for Jane to see Bingley “unless he really comes to see her”. 105. She has a presentiment of what happened 10 months later. 106. Moving away helps forget the sore. öÁγº ÷£õÚõÀ ©ÚÁ¼ SøÓ²®. It does not help bringing the Man to her. AuÚõÀ ¤[¼ A[S Á¸Áõº GÚ¨ ö£õ¸ÎÀø». The wisdom of Mrs. Gardiner sees it is not yet time. Mrs.PõºiÚ¸US ÷|µ® ÁµÂÀø»ö¯Úz öu›QÓx. Nor is it in her power to make the Time come. AÁµõÀ ÷|µzøu ÁµÁøÇUP •i¯õx. She does what is best in her power then. A¢u ÷|µ® GßÚ AvP£m\® •i²÷©õ Aøua ö\´QÓõº. What she failed to do with Jane, she accomplished with Lydia. ÷áß Âå¯zvÀ ö\´¯õuøu ¼i¯õ Âå¯zvÀ •iUQÓõº. |
13. | "And that is quite impossible; for he is now in the custody of his friend, and Mr. Darcy would no more suffer him to call on Jane in such a part of London! My dear aunt, how could you think of it? Mr. Darcy may, perhaps, have heard of such a place as Gracechurch Street, but he would hardly think a month's ablution enough to cleanse him from its impurities, were he once to enter it; and, depend upon it, Mr. Bingley never stirs without him." "Ax •ØÔ¾® |hUP C¯»õu JßÖ, HöÚÛÀ AÁß C¨ö£õÊx uÚx |s£Ûß £õxPõ¨¤À EÒÍõß. v¸. hõº], »shÛÀ EÒÍ A¢u¨ £SvUS Á¢x ÷áøÚU Põn AÁøÚ AÝ©vUP©õmhõß! GÚu¸ø© Azøu÷¯, }[PÒ GÆÁõÖ Cøu¨£ØÔ C¨£i {øÚUP •i²®? Q÷µì \ºa öu¸øÁ¨£ØÔ hõº] J¸÷ÁøÍ ÷PÒ¨£mi¸UP»õ®, BÚõÀ AuØSÒ ~øǯ ÷Ási¯ {ø» HØ£mhõÀ, AuÚõÀ HØ£k® A_zuzøu Pøͯ AÁÝUS J¸ ©õuPõ» ÷|µ® ÷£õuõx GÚ {øÚ¨£õß. v¸. ¤[Q¼ AÁß CÀ»õ©À G[S® QÍ®£ ©õmhõß Gߣx {a\¯®." | 107. Elizabeth emphatically expresses “and that is quite impossible”. 108. It happens so almost by virtue of Elizabeth’s emphasis. 109. Elizabeth’s strong condemnation of Darcy is her strong subconscious attraction. 110. Jane and Elizabeth are as intimate as Bingley and Darcy. Bingley never stirs without him. 111. In explaining the social distance from Gracechurch Street and Grosvenor street Elizabeth is fully aware of the ambition for Jane. The lowest of the lowly aspires for the highest on the pretext of any one endowment feigned or real. It is no ordinary social climb for Jane. uÚUS® ¤[¼US® EÒÍ A¢uìx Âzv¯õ\® A£õµ©õÚx GÚ G¼éö£z AÔÁõÒ. ªPz uõÌ¢uÁß ªP E¯º¢uøu Gmh HuõÁx J¸ PõµnzøuU PؤzxU öPõÒÁõß. 112. Intense dislike can be intense subconscious liking. wµ öÁÖ¨¦ BÌ ©ÚvÀ wµ¨ ¤›¯©õP C¸US®. 113. A woman attracts a Man. ö£s BønU PÁ¸ÁõÒ. A Man gravitates towards a woman. ö£søn |õi Bs Á¸Áõß. Here a Man has to go to a woman overcoming the obstacle of another Man. C[S J¸ Bs ©Pß ÷ÁöÓõ¸ Bs ©PøÚU Ph¢x J¸ ö£søn |õh ÷Ásk®. It is not a situation of love or romance. Cx Põu¾US›¯ \¢uº¨£ªÀø». It is a purely social situation of power of one over the other. Cx ÷£õmi, \‰PzvÀ J¸Áøµ «Ô AkzuÁº öá°¨£x. The normal rules of MAN – woman here undergo a modification. Bs&ö£s \mh[PÒ C¢u \¢uº¨£zvÀ ©õÖ®. One who is restrained from a woman is not in love with her in the best sense of the word, or the original sense of love. ö£soß PÁºa]°¼¸¢x »P •¯¾® ©Ûuß Põu¾US›¯ÁÛÀø». |
14. | "So much the better. I hope they will not meet at all. But does not Jane correspond with the sister? She will not be able to help calling." "ªPÄ® |À»x. AÁºPÒ \¢vzxU öPõÒÍ÷Á©õmhõºPÒ GÚ |®¦Q÷Óß. AÁÝøh¯ \÷Põu›²hß ÷áß Piuz öuõhº¦ øÁzxU öPõsi¸UQÓõÒ AÀ»Áõ? AÁÒ £õºUP Áµõ©À C¸UP ©õmhõÒ." | 114. Mrs. Gardiner goes back to her caution. 115. Jane too was thinking she could see Caroline without seeking Bingley. The move of Darcy to separate Jane from Bingley is really powerful. Its power has its reflections in this quarter to make Mrs. Gardiner and Jane contemplating to avoid Bingley. Põµ¼øÚ ©mk® £õºUP ÷áß vmhªmhõÒ. ÷áøÚ ¤[¼°hª¸¢x ¤›UP hõº] ö\´u vmh® Á¾ÁõÚx. Auß \Uv Mrs. PõºiÚøµ²®, ÷áøÚ²® G¨£i ¤[¼ø¯¨ £õºUPõ©¼¸UP»õ® GÚ ]¢vUPa ö\õÀQÓx. 116. No object or a Man can be brought by the external initiative of a woman such as correspondence to a sister. u[øPUS GÊx® Piu® PõuÀ Piu©õPõx. ö£s •øÚ¢x ö\¯À£mk Bøn÷¯õ, ö£õ¸øÍ÷¯õ ö£Ó C¯»õx. The rules of alliance are social. CøÁ \‰P EÓÄUS›¯ \mh[PÒ. The rules of love are psychological. PõuÀ \mh[PÒ ©ÚzvØS›¯øÁ. The psychological rules are to work through social medium. ©Úzvß ©õ¯[PÒ \‰P \mh[PÒ ÁÈ ö\¯À£h ÷Ásk®. Love often falls down to marriage. Põu¼À Bµ®¤¨£x v¸©nzvÀ •i²®. Marriage occasionally resists love. A›ö£õ¸ÍõP v¸©nzvÀ PõuÀ ©»¸®. There is no room for a third person in love. PõuÀ EÓÂÀ AkzuÁºUQhªÀø». There is no alliance possible without a third person. \®£¢u® ÷£\ AkzuÁº Á¸Áx EuÄ®. Love allies with alliance is social reality. \‰PzvÀ ¯uõºzu©õP PõuÀ \®£¢u® ‰»® Á¸®. The realities of the society are on earth. \‰P® ¯uõºzu©õÚx, ©soÀ ¤Ó¢ux. The realities of love are invisible. Põu¼ß P¸ PsqUSz öu›¯õx. The invisible realities becoming earthly realities are love becoming marriage. PsqUSz öu›¯õuøÁ ©sqUS¨ ¦›Áx PõuÀ v¸©n©õPõx. Marriage without love, love without marriage is incomplete. Põu»ØÓ v¸©n®, v¸©nªÀ»õu PõuÀ SøÓ¯õÚx. Marriage that retains love is a social accomplishment. PõuÀ }iUS® v¸©n® \‰Pzvß öÁØÔ. Love that is fulfilled in marriage is a credit to the ideal. v¸©nzuõÀ §ºzv¯õS® PõuÀ C»m]¯ öÁØÔ. Marriage is a goal. v¸©n® C»m]¯®. Love is an ideal. PõuÀ E¯º¢u C»m]¯®. An ideal is a receding goal. C»m]¯® A¸÷P ÷£õÚõÀ yµ¨ ÷£õS®. A goal that can be attained is not an ideal goal. QøhUS® C»US C»m]¯©õÚvÀø». To raise a goal to an ideal is good employment. C»UøP C»m]¯©õUSÁx ö£¸®vÓß. |
15. | "She will drop the acquaintance entirely." "AÁÒ C¢u AÔ•Pzøu •ØÔ¾® xsizx ÂkÁõÒ." | |
16. | But in spite of the certainty in which Elizabeth affected to place this point, as well as the still more interesting one of Bingley's being withheld from seeing Jane, she felt a solicitude on the subject which convinced her, on examination, that she did not consider it entirely hopeless. It was possible, and sometimes she thought it probable, that his affection might be reanimated, and the influence of his friends successfully combated by the more natural influence of Jane's attractions. C¢u P¸zøu AÁÒ Bozuµ©õPU TÔÚõ¾®, ÷áøÚ¨ £õºUP Âhõ©À ¤[Q¼ø¯ ukzx ÂkÁõºPÒ GÚ G¼\ö£z {øÚzuõ¾®, ÷©¾® AUPøÓ²hß Cøu ÷¯õ]zx¨ £õºUS® ö£õÊx, CÛ GxÄ÷© Gvº£õºUP •i¯õx GßÓ AÁÍx Gsn® \ØÖ uͺ¢ux. AÁÝøh¯ PõuÀ «sk® xκÂk®, ÷áß«x C¸US® Dº¨¦, |s£ºPÎß ÷£aø\ «Óz ysk®, Cx |hUP»õ®, |h¨£uØS \õzv¯•sk GÚ AÁÒ ]» \©¯® {øÚzuõÒ. | 117. Apart from Elizabeth’s wish for Bingley, she has the subtle knowledge of the truth of Jane’s love, and knows Jane will marry him. 118. Mrs. Gardiner does not know of the attachment that well. Therefore it is not hopeless. 119. Mrs. Gardiner is a good angel in more than one respect, as Charlotte served Elizabeth by weaning Collins away and bringing her to Hunsford. It was Mrs. Gardiner who took her to Pemberley later. She does a cardinal service to Elizabeth by warning her against an imprudent marriage with Wickham, though at that moment she was all admiration for the young man. It came to her as want of income, but she seems to have sensed that there was something more unwelcome in the man. The same instinct led her to Pemberley. åõº÷»õmPõ¼ßøé AøÇzx¨ ÷£õÚx®, íßì÷£õºkUS G¼éö£zøu AøÇzux® ö£›¯ ÷\øÁ. A÷u ÷£õÀ Mrs. PõºiÚº G¼éö£zvØS C¸ ö£›¯ Eu ö\´QÓõº. JßÖ ö£®£º¼US AøÇzx¨ ÷£õÚx. Akzux ÂUPõ® «x G¼éö£zvØSÒÍ |õmh® v¸©nzvÀ •i¯U Thõx GßÓ Ga\›UøP. £nªÀø» GßÓ Põµn® PõmiÚõ¾® Mrs. PõºiÚ¸US Czv¸©n® uÁÓõÚx GÚ ©ÚvÀ £mi¸UQÓx. Mrs. PõºiÚ¸US ÂUPõø©¨ ¤iUS® GßÓõ¾® C¢u Ga\›UøP AÁ›hª¸¢x Á¸QÓx. 120. Compassion that cannot offer solace, offers solicitude. BÖuÀ u¸® P¸øn uÁÔÚõÀ, BÌ¢u AÝuõ£® u¸®. Divine compassion dissolves sorrow. öu´ÃPU P¸øn ÷\õPzøuU PøµUS®. Human compassion can offer solace often. ©ÛuÝøh¯ P¸øn ö£¸®£õ¾® BÖuÀ u¸®. Compassion is the lower version of Grace. P¸øn A¸ÐUS Akzux. Grace received is expressed as love. A¸ÍõP¨ ö£ÖÁx AߣõP öÁΨ£k®. Compassion from above emerges as solace through heart. ÷©¼¸¢x Á¸® P¸øn Cu¯® ÁÈ BÖu»õP öÁΨ£k®. Anything from above is compromised in the reception. ÷©¼¸¢x Gx Á¢uõ¾® |õ® ö£Ö®ö£õÊx Auß E¯ºÄ SøÓ²®. Man is not pure enough to be a channel for grace or compassion. A¸÷Íõ, P¸øn÷¯õ ©Ûuß ÁÈa ö\¯À£h ©Ûuß £›_zu©õÚÁÛÀø». Life is a field that grapples with divine gifts in a human way. öu´Á AÝUQµízøu Buõ¯©õP ©õØÔ¨ ö£Ö® ÷»õP® ÁõÌÄ. Darcy and Bingley are heaven sent boons to Meryton. ö©›hÝUS hõº]²® ¤[¼²® ö\õºUPzvß Áµ®. Bingley’s taking to Jane is pure grace. ÷áøÚ ¤[¼US¨ ¤izux A¸Ò. To think it is her beauty that is rewarded is to outrage grace. AÁÒ AÇPõÀ ¤[¼ ¤›¯¨£mhõß GÚ {øÚ¨£x A¸ÐUSa ö\´²® x÷µõP®. What is rewarded is her passive nature of sweetness. \õxÁõÚ AÁÒ CÛø© _£õÁzuõÀ AÁß PÁµ¨£mhõß. Elizabeth and Mrs. Bennet take positive and negative interest. G¼\ö£z £õêmiÁõPÄ®, uõ¯õº ö|PmiÁõPÄ® ÷áøÚ Bu›UQßÓÚº. Even positive interest is an interference. £õêmiÁõP BuµÄ ö\´Áx® SÖUQkÁuõS®. Expectation is Mind trying to learn the future. GvºPõ»zøu AÔ¯ •¯ÀÁx Gvº£õº¨£x. It is an interference in the working of grace. Ax A¸ÐUSz uøh. The vital has no future. Enºa]US GvºPõ»ªÀø». To the vital, the present is all. Enºa] EÒÍvÀ »°US®. The Mind tries to understand the future. ©Ú® GvºPõ»zøu AÔ²®. The vital tries to force the future to come now. Enºa] GvºPõ»zøu AÁ\µ©õP AøÇUQÓx. Nature tolerates the interference to an extent. C¯ØøP C¢u SÖURmøh KµÍÄ ö£õÖzxU öPõÒЮ. As long as ego does not assert, Nature keeps quiet. AP¢øu Bº¨£õmh® ö\´¯õuÁøµ C¯ØøP ö£õÖzxU öPõÒЮ. Nature refuses to allow the ego its own way. AP¢øu uß Cèh¨£i |hUP C¯ØøP AÝ©v¨£vÀø». The event waits till the ego wears itself out. AP¢øu AȲ® Áøµ ö\¯À Põzv¸US®. The ego can be defeated or exhaust itself. AP¢øu Bº¨£õmh©õPz ußøÚ AÈzxU öPõÒЮ AÀ»x Aøuz ÷uõØPiUP ÷Ásk®. The world has not yet witnessed Nature cooperating with the grace for the Man. C¯ØøP ©Ûuß \õº¤À A¸÷Íõk JzxøǨ£øu E»P® CxÁøµ PshvÀø». Today we see Nature permitting grace to act in Man. CßÖ C¯ØøP A¸øÍ ©Ûu ÁõÌÂÀ ö\¯À£h AÝ©vUQÓx. Ordinarily Nature thwarts Man. ö£õxÁõP C¯ØøP ©ÛuºPøÍz uøh ö\´²®. Ultimately in this story grace fulfils itself. •iÁõPU Pøu°À A¸Ò ußøÚ¨ §ºzv ö\´x öPõÒQÓx. |
121. That which requires re-animation is not love, not even affection. ÷¯õ\øÚ ö\´x •iÄ ö\´Áx Põu¼Àø», ¤›¯•ªÀø». A fire can be kindled; a flame is ever alive. G›²® ö|¸¨ø£ ysh ÷Áshõ®, uÇÀ uõ÷Ú E¯¸®. | ||
17. | Miss Bennet accepted her aunt's invitation with pleasure; and the Bingleys were no otherwise in her thoughts at the time than as she hoped that, by Caroline's not living in the same house with her brother, she might occasionally spend a morning with her, without any danger of seeing him. ªì. ö£ßÚm uÚx Azøu°ß AøǨø£ ©QÌa]²hß HØÖU öPõshõÒ. P÷µõ¼ß ußÝøh¯ \÷PõuµÝhß J÷µ Ãmi÷»÷¯ Á]UPõ©À C¸¢uõÀ, AÁøÚ \¢vUP ÷Ási¯ A£õ¯ªßÔ, G¨ö£õÊuõÁx Põø»¨ ö£õÊøu AÁÐhß PÈUP»õ® GßÖ {øÚzuõ÷Í uµ ÷ÁÖ G¢u Gsn•® ¤[Q¼°ß Sk®£zvÚøµ¨£ØÔ AÁÐUS Aa\©¯® CÀø». | 122. Jane too is careful not to see him. It comes true. 123. Pleasure is physical, joy is vital, emotional. Eh¾®, E°¸®, ö|g_® AÝ£ÂUS® \¢÷uõå® ©õÖ£mhøÁ. 124. Friends are in our thoughts. |s£ºPÒ ©Úv¼¸¨£õºPÒ. Those who love live in our emotions. |õ® ¸®¦£Áº ö|g]¼¸¨£õºPÒ. Thought can remember; that is, it is intermittent. Gsnzøu {øÚÄ£kzu»õ®. {øÚÄ£kzu •i²® GÛÀ ©Óv²sk GÚ¨ ö£õ¸Ò. There is no memory in the emotion as it is there always. ö|g\® ©Ó¢uÔ¯õx. |
18. | The Gardiners staid a week at Longbourn; and what with the Philipses, the Lucases, and the officers, there was not a day without its engagement. Mrs. Bennet had so carefully provided for the entertainment of her brother and sister that they did not once sit down to a family dinner. When the engagement was for home, some of the officers always made part of it -- of which officers Mr. Wickham was sure to be one; and on these occasions Mrs. Gardiner, rendered suspicious by Elizabeth's warm commendation of him, narrowly observed them both. Without supposing them, from what she saw, to be very seriously in love, their preference of each other was plain enough to make her a little uneasy; and she resolved to speak to Elizabeth on the subject before she left Hertfordshire, and represent to her the imprudence of encouraging such an attachment. »õ[£ºÛÀ, PõºiÚº Sk®£zvÚº J¸ Áõµ® u[Q°¸¢uÚº. ¤¼¨ì Sk®£zvÚ¸hÝ®, ¿Põì Sk®£zvÚ¸hÝ®, CµõqÁ AvPõ›PÐhÝ®, vÚ® H÷uõ J¸ \¢v¨¦ C¸¢u Ásn® C¸¢ux. ußÝøh¯ \÷PõuµÝ®, AÁÚx ©øÚ²® J¸ |õÒTh u[PÒ Sk®£zxhß ©mk® ÷\º¢x ¸¢xsn •i¯õu£i v¸©v. ö£ßÚm ªS¢u PÁÚzxhß {PÌa]PøÍ HØ£õk ö\´v¸¢uõÒ. A¨£i÷¯ u[PÒ CÀ»zvÀ HØ£õk ö\´v¸¢uõ¾®, AvÀ Psi¨£õP ]» CµõqÁ AvPõ›PÒ P»¢x öPõÒÁuØS AøǨ¦ Âkzv¸¢uõÒ. AvÀ SÔ¨£õP ÂUPõ® Psi¨£õP C¸¢uõß. Cx÷£õßÓ \¢uº¨£[PÎÀ, G¼\ö£z ÂUPõø© ¦PÌ¢x ÷£_ÁøuU ÷Pmk \¢÷uP® öPõsh v¸©v. PõºiÚº, AÁºPøÍ Tº¢x PÁÛUP Bµ®¤zuõÒ. uõß PÁÛzuv¼¸¢x, AÁºPÒ C¸Á¸® wµ©õP Põu¼UPÂÀø» GßÓõ¾®, J¸Áøµ J¸Áº ¸®¦QßÓÚº Gߣx öuÎÁõPz öu›¢uuõÀ, Ax AÁøÍ \ØÖ \[Ph¨£kzv¯x. íºm÷£õºmå¯øµ Âmk QÍ®¦ÁuØS•ß Cøu¨£ØÔ ÷£\ ÷Ásk® GÚz wº©õÛzuõÒ. C¢u ö|¸UPzøu FUS¨£x Â÷ÁP©õÚ ö\¯»À» GÚU TÓ wº©õÛzuõÒ. | 125. Mrs. Bennet is gregarious, dynamic, cheerful mostly. 126. That energy of hers achieves. 127. Wickham has captivated all, men as well as women. 128. Wickham’s interest in Elizabeth is enduring even after he knew she has no money. 129. Perhaps through her Wickham reaches Darcy. 130. Liking, preference, attraction, attachment are the previous stages of love. 131. Mrs. Gardiner has no penetration into Wickham’s character, but she does have a subtle sense that he will not do. 132. Her advice is related to his wealth, but her understanding is, he will not do. 133. It is Elizabeth who commends his name to her mother. 134. There is no evidence that he is keen on it or at least keener than she is for him. 135. Elizabeth was trying to reach Darcy through Wickham. Wickham has tried his best to bring her to Darcy. 136. Dinner parties are widened family occasions. ¸¢x EÓÂÚº P»¢xÓÁõk® \¢uº¨£®. Family teaches the social manners. Sk®£® £ÇP PØÖU öPõkUS®. It is the parties that help express the manners. ¸¢x PØÓ £ÇUPzøu £°¾ªh®. Awkward manners become acceptable behaviour in the parties. A\®£õÂu©õP¨ £ÇQÚõÀ ¸¢vÀ GÁ¸® Bm÷\¤UP ©õmhõºPÒ. The very body learns to move elegantly in the parties. ¸¢vÀ |øh÷¯ ©õÔ |ÎÚ©õS®. Mrs. Philips party is noisy. No noise is permissible. Mrs. ¤¼¨ì ¸¢x \zu©õÚx, ¸¢x ö©ÍÚ©õP C¸US®. Low soft voice of a party is to be learnt at home silently. ¸¢vÀ uõÌ¢u Sµ¼À ÷£\ ÃmiÀ £ÇP ÷Ásk®. The greater the number, the lower the noise is the hall mark. Tmh® ö£›¯uõÚõÀ, \¨u® SøÓÁõP C¸¨£x |õPŸP®. To limit one’s eating or drinking in a situation where no limits are imposed needs inner discipline that is habituated. AÍÂÀ»õ©À \õ¨¤kªhzvÀ AÍ÷Áõk \õ¨¤h ©ÚUPmk¨£õk ÷Ásk®. Parties are occasions where the future leadership is made. GvºPõ»z uø»ÁºPÒ E¸ÁõSªh® ¸¢x. He who catches the imagination of the guests is the future leader. ¸¢vÚº {øÚ¨£øu AÔ£Áß GvºPõ»z uø»Áß. She who captures their imagination is the heroine of the hour. PØ£øÚUSU P¸Å»©õP Aø©£ÁÒ AøÚÁº ©Úzv¾® |õ¯Q¯õÁõÒ. To silently entertain every one, one has to have a presence. AøÚÁøµ²® ö©ÍÚ©õP v¸¨v¨£kzu J¸Á¸US Bz©õÂÀ ]Ó¨¦ ÷Ásk®. Eloquent silence is enchanting. Aø»÷¯õø\¯õÚ ö©ÍÚ® ©¢vµ® ÷£õÀ Pmk¨£kzx®. Status attracts. A¢uìzvØS ©›¯õøu²sk. Silence overpowers. ö©ÍÚ® ©ØÓÁøµ BUµªUS®. Silence of inner status has mastery. APzvÀ ö©ÍÚ® ¦ÓzvÀ BÐøP. 137. Gregariousness is popular. |õ¾÷£÷µõk £ÇS£Áº ¤µ£»©õÁõº. 138. The invariable member of any party and every gathering is certainly the Man about whom every girl has lost her senses. G¢u ¸¢v¾®, G¢u Tmhzv¾® uÁÓõx Põn¨£k£Áøµ {øÚ¢x ©Ú® P»[Põu ö£soÀø». 139. A girl’s interest in Man, even when not displayed, cannot escape watchful interested eyes. ö£s ©Ú® öÁΨ£hõÂmhõ¾®, PÁÛ¨£Á¸USz öu›¯õ©¼¸UPõx. |
140. Sensitive people become uneasy by impropriety. •øÓ CøÇ uÁÔÚõÀ £s£õͺ £uÖÁõº. | ||
19. | To Mrs. Gardiner, Wickham had one means of affording pleasure, unconnected with his general powers. About ten or a dozen years ago, before her marriage, she had spent a considerable time in that very part of Derbyshire to which he belonged. They had, therefore, many acquaintance in common; and though Wickham had been little there since the death of Darcy's father, five years before, it was yet in his power to give her fresher intelligence of her former friends than she had been in the way of procuring. ö£õxÁõP ÂUPõ® GÀ÷»õøµ²® \¢÷uõ娣kzx® ÁøP°À ÷£_Áõß GßÓõ¾®, v¸©v. PõºiÚøµ \¢÷uõ娣kzu AÁÛh® SÔ¨£õP J¸ ÁÈ C¸¢ux. ÂUPõ® C¸¢u FµõÚ öhº¤å¯›À, A÷u £Sv°À, £zx Á¸h[PÐUS•ß, ußÝøh¯ v¸©n® |h¨£uØS •ß¦, }sh |õmPÍõP v¸©v. PõºiÚº u[Q°¸¢v¸UQÓõÒ. Bu»õÀ AÁºPÒ C¸Á¸US÷© öu›¢u ö£õxÁõÚ |s£ºPÒ £»º C¸¢uÚº, I¢x Á¸h[PÐUS•ß hõº]°ß u¢øu Põ»©õÚõº. AuØS¨ ¤ÓS ªP ]» |õmP÷Í A[Q¸¢u ÂUPõªÚõÀ, AÁÐøh¯ £øǯ |s£ºPøͨ£ØÔ AÁÒ AÔ¢vµõu ¦v¯ uPÁÀPøÍz uµ •i¢ux. | 141. An instrument must be related to both ends. 142. It is impossible for the instrument not to benefit. 143. Space and Time are means of relationships. 144. Nostalgia helps build sentiment. 145. Nostalgia is the common ground on which friends meet. £Ç® ö£¸® {øÚÄPÒ |s£ºPÒ \¢vUS® Aµ[P®. 146. Early impressions are powerful, but only as impressions. ]Ö Á¯vÀ ©ÚvÀ £v¢uøÁ Bozuµ©õÚøÁ. C¸¨¤Ý® AøÁ {øÚ÷Á uµ AÔÁõPõx. 147. One cherishes an acquaintance as his touch is pleasant being of the senses. ÷»\õP AÔ•P©õÚÁøµ ©Ú® |õkQÓx. AÁº EÓÄ ÷©ö»Ê¢u CÛø©²øh¯x. A companion is a constant acquaintance. EhÝÒÍÁº AßÓõh® AÔ•P©õS£Áº. Relationship is being physically together – companionship. Ehß EøÓÁx EÓÄ & Th C¸¨£x. Friendship is to share inner convictions – This is intimate. |m¦ ©Ú GÊa]Pøͨ £Qº¢x öPõÒÁx & Cx ö|¸UP©õÚx. Partnership is to share material benefits – This is substantial. TmhõÎ C»õ£zvÀ £[S ö£Ö£Áß & Cx Aºzu•ÒÍx. There can be partnerships without friendship. |m¤À»õu Tmi¸US®. Friendship too can exist without partnership. TmiÀ»õ©À |m¤¸US®. Pleasant positive meeting makes an acquaintance. CÛø©¯õP |À»£i¯õP \¢v¨£x AÔ•P®. Acquaintances are not sought after. They are casual. AÔ•Pzøu ÷ukÁvÀø» & uõ÷Ú \©¯zvÀ GÊÁx. One does not become a companion without constantly being together offering a certain enjoyment. öuõhº¢x CÛø©¯õP EhÛÀ»õ©À Ehß EøÓ£ÁµõP •i¯õx. Inner intimacy is friendship. AP® ö|¸UP©õÁx |m¦. All these are parts of marriage. CøÁ AøÚzx® v¸©nzv¾ÒÍ A®\[PÒ. One who knows the measure enriches the marriage by them. AÍ÷Áõk £ÇPz öu›£Á¸US v¸©nzøu AÝ£ÂUPz öu›²®. Otherwise these can become bones of contention. CÀø»÷¯À CøÁ÷¯ \a\µÄUSU Põµn©õS®. The common sense we exhibit in objects we must have in our psychological life. ö£õ¸ÒPøÍ £õxPõ¨£x ÷£õÀ |õ® EÓøÁU Põ¨£õØÓ ÷Ásk®. In the chain ‘energy skill capacity talent ability’, ability is the most difficult and most important. öu®¦, \Uv, vÓø©, \©÷¯õ]u® BQ¯ÁØÖÒ \©÷¯õ]u® •UQ¯©õÚx. Ability is to transfer our skills to another area. \©÷¯õ]u® |® vÓø©ø¯¨ ¦x ChzvÀ £¯ß£kzxÁx. This transfer demands capacity for practical thinking. C¨£i ©õØÓ Gsn® ö\¯¼À öÁΨ£h ÷Ásk®. It is based on the first principles. CøÁ Ai¨£øh¯õÚøÁ. Britons who ruled the world do not have it. E»øP¯õsh B[Q÷»¯¸US Ax CÀø». That ability comes from philosophy in life. ÁõÌÂÀ öÁΨ£k® uzxÁ® AzvÓø©ø¯z u¸®. Indians have this in potential as they touched Overmind. C¢v¯›h® Cx ÂzuõP EÒÍx. Q¸ènõÁuõµ® u¢u £›_ Ax. Man confines to his experience. ©ÛuÝUS AÝ£Á® öu›²®. Extension defies him. Transfer, he is incapable. Aøu ÂÁ›UP C¯»õx. ©õØÖÁx |hÁõu Põ›¯®. The world financial crisis demands the extension of known organizations to unknown dimensions. E»P¨ ö£õ¸Íõuõµ ö|¸UPiø¯z wºUP EÒÍ vÓø©ø¯ ¦v¯ Ch[PÎÀ £¯ß£kzu ÷Ásk®. |
148. Life remains fresh on fresher intelligence. Á¸® ö\´vPÒ ÁõÌøÁ E°º¨¤UQßÓÚ. The word information is meant by intelligence. ö\´v GßÓ ö\õÀ AÔÄ GÚ¨ £¯ß£kQÓx. Intelligence is the faculty mind develops by its progress. ©Ú® Á͸®ö£õÊx ÁͺÁx AÔÄ. The vital grows by being fresh. ¦xø© Enºa] Á͵ EuÄ®. Here is a man capable of fresher intelligence. C¢u ©Ûuß ¦xa ö\´vø¯U öPõsk Á¸£Áß. He keeps the listener engaged in mind and vital. ÷Pm£Áº AÔÄ® EnºÄ® ìu®¤US®£i¨ ÷£_QÓõß. How is he able to achieve it? AÁß Aøu G¨£ia \õv¨£õß? When our parts separate constitutional ignorance is born. |® Pµn[PÒ ¤›¢uõÀ Cµshõ® AÔ¯õø© GÊ®. He is one in whom the mind and vital are united. ©Ú•® EnºÄ® AÁÝÒ Cøn¢xÒÍÚ. They can be united in truth or falsehood. AøÁ ö©´°¾® Cøn¯»õ®, ö£õ´°¾® Cøn¯»õ®. In him it is united in falsehood. CÁÛÀ Ax ö£õ´°À Cøn¢xÒÍx. Charm is the result of their uniting. ö£õ´°À ©Ú•® EnºÄ® CønÁx PÁºa], ö©´°À CønÁx |õn¯®. Charm is the outermost aspect of this union. PÁºa] Cuß ¦ÓöÁΨ£õk. He gets the power over people because he knows how they feel. GÁ¸® AÁÝUS Em£kÁuØSU Põµn® AÁº Enºa]ø¯ AÁß AÔÁõß. In man his capacities exist unrelated to his character. ©ÛuÛÀ vÓø©²® |õn¯•®, ¤›¢x {ØS®. He knows others, others do not know him. Hence his power over them. AÁÝUS¨ ¤Óøµz öu›²®. ¤Ó¸US AÁøÚz öu›¯õx. Ax AÁÝUS¨ £»®. We value Truth. \zv¯® E¯º¢ux. We do not value Falsehood. ö£õ´ E¯º¢uvÀø». We do not know Falsehood is infinite as Truth. ö£õ´²® ö©´ ÷£õÀ AÚ¢u® GÚ |õ©Ô÷Áõ®. This man, therefore, has infinite hold on people. CÁÝUS ©ÛuºPÒ AÍÄPh¢x ¤i£kÁõºPÒ. In society we understand it as pleasant exterior. \‰PzvÀ Ax CÛø©¯õÚ £ÇUP©õQÓx. Women see the handsome face, feel the charm and are lost. ö£sPÒ AÇøPU PõsQÓõºPÒ. PÁºa]¯õÀ u®ø© CÇUQÓõºPÒ. The handsome face gives him a power over women. AÇS ö£sPøͨ £o¯ øÁUQÓx. Early in life he was aware of it. ]Ö Á¯v÷» AÁß Aøu AÔÁõß. The face and charm are his assets. AÇS® PÁºa]²® AÁß ö\õzx. He uses them by a false character. ö£õ´¯õÚ |hzøu¯õÀ Aøu AÁß £¯ß£kzxQÓõß. Character is not seen till the occasion arises. ÷|µ® Á¸® Áøµ AÁß Esø© öÁÎ Áõµõx. Mr. Bennet, Mrs. Gardiner were his victims. Mr. ö£ßÚmk®, Mrs.PõºiÚ¸® AÁøÚ AÔ¯ÂÀø». It was only Mrs. Gardiner who found him mercenary. AÁß Buõ¯Áõvö¯Ú Mrs. PõºiÚº Pshõº. His mercenary desertion too did not alienate him from Elizabeth. £nzvØPõP AÁß Â»Q²® G¼\ö£z AÁøÚU øPÂhÂÀø». Rare is a handsome face; rarer is the woman who does not fall for it. AÇS A›x; AuØS¨ £¼¯õPõu ö£s AuÛÝ® A›x. | ||
20. | Mrs. Gardiner had seen Pemberley, and known the late Mr. Darcy by character perfectly well. Here consequently was an inexhaustible subject of discourse. In comparing her recollection of Pemberley with the minute description which Wickham could give, and in bestowing her tribute of praise on the character of its late possessor, she was delighting both him and herself. On being made acquainted with the present Mr. Darcy's treatment of him, she tried to remember something of that gentleman's reputed disposition when quite a lad which might agree with it, and was confident at last that she recollected having heard Mr. Fitzwilliam Darcy formerly spoken of as a very proud, ill-natured boy. v¸©v. PõºiÚº ¤®ö£º¼ø¯ £õºzv¸UQÓõÒ, Põ»gö\ßÓ hõº]°ß |ØSnzøu¨£ØÔ •ØÔ¾® AÔ¢v¸¢uõÒ. AuÚõÀ AÁºPÐUS¨ ÷£_ÁuØS {øÓ¯ Âå¯[PÒ C¸¢uÚ. ÂUPõ® ~qUP©õÚ Âå¯[Pøͨ£ØÔ ÂÁ›US® ö£õÊx ¤®ö£º¼ø¯¨£ØÔ ußÝøh¯ {øÚÄPÐhß J¨¤mk¨ £õºzx®, AÆÂhzvß Põ»gö\ßÓ E›ø©¯õÍøµ¨£ØÔ ¦PÌ¢x ÷£] AÁ¸US ©›¯õøu ö\¾zv¯ ö£õÊx®, AÁÒ AÁøÚ²® \¢÷uõ娣kzvÚõÒ. uõÝ® \¢÷uõå©øh¢uõÒ. hõº] ußøÚ ªPÄ® ÷©õ\©õP |hzvÚõß GÚ ÂUPõ® TÔ¯øuU ÷Pmk CUTØÖ Esø©uõß GÚz öu›¢x öPõÒÍ, AÁß ]Ô¯ ø£¯ÚõP C¸¢u ö£õÊx G¨£i C¸¢uõß GÚ bõ£P¨£kzvU öPõÒÍ •¯Ø] ö\´uõÒ. AÁß PºÁ® ªS¢uÁÚõPÄ®, CÛ¯ _£õÁ©ØÓÁÚõPÄ® C¸¢uõß GÚ¨ ÷£\¨£mhx bõ£PzvØS Á¢ux. | 149. Places seen, persons met, are live enough to revive if circumstances help or permit. Mrs. Gardiner has seen Pemberley. 150. Though an act of pretense, Wickham does it with consummate skill. Perfection in any form is power that achieves. 151. Wickham finally achieved his purpose of helping Mrs. Gardiner to recollect Darcy as a boy was ill-natured. 152. Time and Space have a considerable influence in deciding the course of events, even fixing their character. Mrs. Gardiner’s years at Lambton have come to bridge Elizabeth with Pemberly and wean Wickham away for certain. Põ»•®, Ch•® {PÌa]PøÍ {ºn°¨£vÀ •UQ¯zxÁ® Áõ´¢uøÁ. Mrs. PõºiÚº »õ®¨hÛÀ £» BskPθ¢ux CßÖ G¼éö£zøu¨ ö£®£º¼US AøÇzx¨ ÷£õPÄ® ÂUPõø© AÁÎhª¸¢x ¤›UPÄ® EuÄQÓx. 153. For a work to be completed in the subtle plane, such links are essential. `m_© E»QÀ Â寮 §ºzv¯õP Azöuõhº¦PÒ AÁ]¯®. 154. She confirmed to Elizabeth that Darcy was known to be a proud, ill-natured boss. hõº] PºÁ©õÚÁß Gߣøu Mrs. PõºiÚº {øÚÄ£kzv Á¼²ÖzxQÓõÒ. 155. The inheritance of character from the parents is no straight affair. ö£Ø÷Óõ›hª¸¢x ö£Ö® _£õÁ® ÷|µi¯õP¨ ¦›ÁvÀø». In this case Darcy has inherited strength but gave it a turn of pride. C[S hõº] ö£Ø÷Óõ›hª¸¢x ö£ØÓ £»zøuU PºÁzvØS¨ £¯ß£kzvÚõß. The combination of heredity and environment has infinite varieties. •ß uø»•øÓ²®, Á͸® `Ǿ® ÷\º¢x Gʨ¦® Ásn[PÒ •iÁØÓ AÚ¢u®. Pride itself can be a defect of upbringing or inherited. PºÁ® Áͺ¨£õ¾® ¤Ó¨£õ¾® Á¸®. 156. Minute description reveals intimate knowledge. ~qUP©õP ÂÁ›UP ö|¸UP©õÚ AÝ£Á® ÷uøÁ. It is natural to mistake intimate knowledge for intimacy. ö|¸UP©õÚ ÂÁµ[PøÍU ÷Pmk ö|¸[Q¯ ©Ûuº GÚz uÁÓõP¨ ¦›Áxsk. Education in language can go for cultural education. ö©õȨ £°Ø] £s¦ÒÍÁÚõP ÷uõØÖ®. Especially vocabulary that matures into diction apes maturity and culture. ö©õÈ ÁÍ® ö©õÈ |¯©õÚõÀ Ax •vº¢u bõÚ©õPÄ® PÛ¢u £s£õPÄ® ÷uõßÖ®. 157. Popularity can be wide off the mark. ¤µ£»® H©õØÖ®. Popularity can reach the core of the essence. Âå¯zvß P¸øÁ¨ ¤µ£»® Fk¸Â¨ ¤µv£¼US®. At a distance one can be taken in. yµzvÀ J¸Áº H©õÓ»õ®. That distance can exist in the mind while one is close. Ax ©ÚzvØS›¯ ¤ÍÄ, ö|¸UP©õP C¸¢uõ¾® Ax C¸US®. |
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